With any half-hour comedy, it kind of takes on its own life and finds itself.
I knew that I could sing when I was young. I would listen to a lot of jazz; I'm a big jazz fan. When I first got to high school and studied musical theater, I could sing. But I added certain things to my voice, and I realized after graduating high school that this is the kind of voice I had. It's not very nimble, but it's heavy.
This flattery has been rather slow in coming. I think all of sudden late in life now I'm getting some credit for what I've done. Which is gratifying, but it's kind of a little late.
Kauai is kind of my place where I go to get centered. It's always my place to come back and feel normal again.
Not to get overly psychological about this, but it's probably why I became an actress in the first place: for that kind of freedom and refuge, as well as for the fact that I just love acting so much.
When you transition, everyone kind of has to transition around you.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
I enjoy singing the songs a certain way, but I don't even know how the writing even began. To me, it's work that is kind of invisible; it's a weird kind of work to have because you're not working, but it's not not work. Formulating your thoughts and making a melody that's catchy enough for people to listen to what you're saying is really hard!
There are very few people who are Asian who have the kind of global reach that I have, not just with Asians but with non-Asians. I've worked hard for what my name represents, my brand, not just in Britain but around the world.
It took me 30 years to figure out who I really am, as a person, and who I want to surround myself with. I was very much the kind of person who would just meld in with whatever group I was near.
One of the fun things as an actor is to find a character that if you were to look up a rap sheet about them, you might say, 'I don't really necessarily want to hang out with this guy' or 'I would never be this kind of guy in my life.' I think it's part of an actor's job to say, 'Maybe you could be.'
First of all, I'm not the kind of guy that likes to rehash the show and so forth and so on.
America is just the country that how all the written guarantees in the world for freedom are no protection against tyranny and oppression of the worst kind. There the politician has come to be looked upon as the very scum of society.
You've got a movie where the pro-choice family gives their daughter no choice. The pro-life family murders. What seems to be the good mother, the kind of hippie painter, sweet and cute mother has no love for her daughter really.
When Donald Trump comes after any part of our community, he'll find 419,000 Minneapolitans and me standing squarely in his way. That's the kind of wall I can support.
It's really hard to imagine there ever being the kind of impact there was when punk rock happened in the late 70's. I wish there would be one big change like that again, but I don't know if that'll ever happen.
In college, I won the Irene Ryan; it's kind of like a collegiate Tony, which got my career going. I was honored. I won a fellowship to the Kennedy Center, and that's where I got my agent.
It's just a great, legendary comic book hero and it's one that has never been kind of been brought back to life after Lynda Carter. I mean, it's a reinvention. When Tim Burton reinvented Batman after Adam West, and when Donner reinvented Superman after George Reeves, it's time to do that with Wonder Woman.
It's healthy for government to be a kind of moral catalyst, using the bully pulpit of high office.
L.A. kind of scares me.
All he cares about is going out there with his Jack Daniels bottle. Nothing has changed. That's kind of sad. If David was doing better than he used to be, then that would be different. But it was a joke and he made it that way.
When videotape came so a lot of movies that I do have a kind of afterlife in video. Things where movies that I do would come and go; they still come and go but you can go rent them and see them on TV.
It's great to see that kind of support online. For people to be messaging myself, my nan and the rest of my family, all the support has been great.
I have a dad-ager. My dad is really good at the business end of things. But it's really a family affair. My mother handles all my social media stuff - Facebook, Twitter, e-mails, that kind of thing.
I think one of the reasons people quit is because they're afraid they won't be able to get better and better; that they have to come to a zenith of some kind.
I've got a running machine which I try and use, but it's just finding the time. Don't get me wrong, I love cake and ice cream; I'm the kind of girl that, if I want something, I'll have it.
Vertigo, it was thought at the time, could only be caused by a disease of the cerebellum. He observed this kind of patient for years and saw absolutely no symptoms of brain disease.
I like movies, because it's kind of a combination of every art, it's like it's picture, it's story, it's music, it's kind of like a clash and a collide of every art. It's really neat.
I always felt there was a kind of humanistic impulse in my thinking about film as well as a real interest in its formal and aesthetic properties - just this idea that it can bring you into a very intimate encounter with people.
Criticism in a time of war is essential to the maintenance of any kind of democratic government.
I heard this massive thud. I spun around, and there Keith was, on the ground. He'd cut his gums up on impact, he was very bloody, and clutching his head. I think it was a kind of wake-up call for him.
It's kind of like family. I can't say that we go out to lunch and to the movies every day with each other. Everyone's fully grown adult women with lives.
For the past few years, I was the more visible Asian performer, and I think it gave young girls a kind of role model showing it's possible to actually reach success doing movies.
The truth is that sometimes art may not exactly reflect one's personal politics, but the story, the drama, the thing you're trying to say, might want to go in a certain direction, and while it may seem like it has resonance with things that are happening topically, you kind of want the world you're creating to have its own internal logic.
It took me a long time to make that leap to being a grown-up and responsible adult because I carried on being a child actor into my late twenties. It's OK to be precocious when you're young, but when you're a man of about 27 or 28 and playing a 17-year-old in a TV show, it kind of prolongs your childhood.
There's one good kind of writer - a dead one.
