Men tend to fall in love when they feel like they are cherished or revered as the 'man' in the relationship.
As long as I'm getting waves and having fun, the results tend to take care of themselves.
Anybody who carries the albatross of that teen-idol thing - well, people tend to look and say: 'There he is again. It's Fabian.' It's a very tough thing. Everybody wants to discount your talent because you have become so... I don't know... a god, if you will.
I tend to sort of over-accessorize, but to feel empowered, I strip it all down and become minimal so that it's almost counterintuitive.
I'd like to do something dramatic or a different kind of role, but I tend not to separate comedy and drama all that much.
There is a very definite Russian heart in me; that never dies. I think you're born and you live your life with it and you die with it. I'm very much an American - my books tend to be about American things, but inside there's that sort of tortured, long-suffering, aching, constantly analysing Russian soul underneath the happy American exterior.
The bottom line is, I tend to be going back to older and older music.
I tend to see my characters from inside and outside at once; this is a technique I use to retain a slight distance. It means my characters can act in unexpected ways on two axes: physical and mental. It isn't just, 'I thought this and then I did this,' which is the technique of the modern psychological novel.
In fiction workshops, we tend to focus on matters of verisimilitude largely because such issues are so much easier to talk about than the failure of imagination.
Librarians as a race tend to be tedious.
I tend to write more when I travel.
Our band has always been really big on imagery. We've kind of used that as one of our strengths; we tend to do that pretty well.
I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
Trust your instincts: they tend to see you right. By listening to them, at least you can sleep at night.
Us comics guys tend to get really good at the things we draw a lot. I'm good at creepy old forests, Victorian houses, underground goblin cities, and beautiful but creepy fairies.
I tend to feel really protective of songs, and if they aren't sitting well in a record, I'll pull them tight to my chest until I feel it's a better time.
As Latinas, we tend to be overly partial considering stereotypes. I'm interested in being naughty and edgy.
I know there is something out there, and like most people, I tend to believe in it more when things go bad. But I'm not like Shirley MacLaine, who probably believes we were past lovers in another life.
Theories of history used to be supernatural: the divine ruled time; the hand of God, a special providence, lay behind the fall of each sparrow. If the present differed from the past, it was usually worse: supernatural theories of history tend to involve decline, a fall from grace, the loss of God's favor, corruption.
Kids who evolve into creative adults tend to have a strong moral compass.
Failures are much more dramatic than successes, and people like drama. I think this is why automobile races draw such crowds. People expect spectacular crashes, which we tend to find more interesting than cars just racing around the track. The same is true of bridges, buildings, or any structure or machine.
For me, it's about taking things that do not take a lot of space. Don't take a lot of shoes. I tend to pack a lot of dresses, for instance, because they take up less space.
I tend to do golf charity things because it's much safer and you don't get much chance of a broken arm or leg.
There are positives to moving around and changing companies: you put things in perspective; you can compare living and working conditions. Living in one city, you tend to take things for granted; your view is much more narrow. In Europe, a dancer can leave for a year and still keep her original contract.
I like exploring both the light parts and the dark parts of a single person. And all of those shades tend to come out most acutely in stories about families.
I got two stores, two streetwear stores, at home. Have to tend to those. Play Cloths. Have to tend to that business.
Foreign Ministry guys don't become agents. Party officials, the Foreign Ministry nerds, tend not to volunteer to Western intelligence agencies.
Look at a map of the world: the countries which do not trade much, or which trade only in oil and gas, tend to be in regions which suffer the most social and political instability.
I tend to watch a lot of movies at home. It's nice to be close to the refrigerator with my pyjamas on and just relax.
But successful investors tend to be not too self-destructive. They tend to be patient, they tend not to follow the crowd, and they tend not to be too guilty about winning.
As companies get bigger, they tend to slow down. It's a universal law.
I tend to say faith is believing in life, and as I love life, I try to do the best with it, make it as serene and joyous as possible.
I'm writing all the time. I tend to work on at least two books simultaneously. I'll spend time with one, and then I'll spend time with the other. Finishing takes whatever time it takes.
I tend to curse in French more often than I do in English.
I tend to pick on the people I'm closest with because I know they know it's not personal.
Whereas most technologies tend to automate workers on the periphery doing menial tasks, blockchains automate away the center. Instead of putting the taxi driver out of a job, blockchain puts Uber out of a job and lets the taxi drivers work with the customer directly.
