Zitat des Tages über Nahansicht / Close-Up:
I found it more challenging to act in a small scene, especially if it has no dialogue and if it is a close-up with only expressions.
You have to learn to express differently. Whenever I do TV or film, I ask if I can see the shot to see, to see if it's full body or a close-up. That helps me understand how to communicate.
Raft told me how to walk with him in a scene: We'd start off in a long shot normal, and about the time we got together in a close-up, I'd be bending my knees so I'd be shorter.
For me, an aerial picture is no different than a close-up portrait. It's a question of framing and angle. Helicopters are great for that. But I've also used planes. Of course, I always have a harness.
Cooking for me is a way to wind down. It's different from cooking on camera, where you have to do everything twice, for a wide shot and a close-up.
I learned not to blink in a close-up or move your head at all, because if you did, they wouldn't use it.
A close-up on screen can say all a song can.
Actors' performances in films are enhanced in a million different ways, down to the choice of camera shot by the director - whether it's in slow motion or whether it's quick cut - or... the choice of music behind the close-up or the costume that you're wearing or the makeup.
My close-up was magnificent!
Sometimes you will do a close-up for a scene in the morning where you are totally distraught, then shoot the rest of that scene seven hours later. How do you hang on to that feeling all day without burning up, without going so far that you have nothing left to give when the cameras roll again?
Sometimes, I remember, for action continuity or to get all warmed up for an action scene before giving a close-up or saying a dialogue, I would do push-ups. I didn't know any other way to get my body mechanism going.
Sometimes you may even have a stunt double do certain things for you, but when it's close-up and it's really dramatic, that's when you really need to concentrate. You cannot get body doubles or anybody else to do it for you.
I do remember that I was sitting in the make-up chair before the shoots for a commercial or film or other, and I thought: Sometime soon they are going to make a close-up of me and millions of people can see how many pimples I've got on my cheeks.
Life is a tragedy when seen in close-up, but a comedy in long-shot.
I remember so vividly playing a scene with Jimmy Stewart. I was in the back of a covered wagon, and we were doing this little talk in the wilderness. They did his close-up first. I was looking at him and thinking, 'How does he do that?' He is not 'doing' anything, and yet everything is there.
I don't mind close-ups, I like them, but they're kind of forceful - you see a lot, you get a lot of information in a close-up. There's less mystery.
When you're shooting with long lenses, even if you're shooting a close-up, you feel the air, the distance between the camera and the subject.
Sometimes you're watching a great film actor, and if you stand 10 feet away from them, you're like, 'God, they're terrible. They're not doing anything.' And then you see the close-up, and it's so nuanced, and so much expression is happening. They were acting for that camera and for no one else.
There's no continuity in videos... you can jump around all over the place. In features, you can't throw in a close-up of a musician stomping on a guitar - you have to film a scene.
With 'Eagle of the Ninth,' every shot was extremely planned and organized. The director was like, 'Do this!' And I say, 'How was it?' and he says, 'Good.' It was very odd. I would never know where he was headed, or even if he was shooting me at a close-up or from a distance.
The nude scenes were a little eerie and I felt a bit odd. Yeah, when the camera scanned up my body, I said to my friend, 'Now, that's a close-up.' I mean, you see every inch of my body. But I'm okay with it and so it was cool.
As a close-up magician, I was using gambling cheating techniques.
The trick to forgetting the big picture is to look at everything close-up.