I love music, and I once thought about doing a choral scholarship, but the people put me off.
I would have hated to been locked into music for the last 20 years and not been able to have a family.
The first time I'd ever had a go at production or recording, I just recorded in my room. I just put it on Soundcloud because I have family abroad, and I wanted to show them, 'Oh, hi, Uncle Carl, here's some music that I've done,' or whatever.
The tuba is certainly the most intestinal of instruments, the very lower bowel of music.
Those albums are so important to me because, for the first time, I was making my own music, paying for it, finding strengths in it, and going through the process of finding the right music for the record.
I've rarely seen video screens used well in a music concert.
Selling a band predicated on nothing is always an interesting proposition, and of course, the fact of the matter is that I really started out in music before I ever acted, and I've done a ton of singing.
Let's keep the music with us. We'll always have it.
You get the feeling that on a lot of days the audience for most music would kind of rather not be faced with the artist, especially because we've been educated to think that the artist are these special creatures are otherwordly and aren't like us.
I thought the '60s was the most exciting time and the most vital music, and we were really together as one mind then. Then afterwards, the songs and the bad drugs, that took its toll.
When I act, I feel like I am a color in someone else's painting - I can be the best blue that there is, but I'm still only part of their entire picture - but, with music, when I am performing with Reserved For Rondee, I am the painter, you know?
I wondered how people would take me being a country music singer. I thought about deviating from that and singing other things. But... it doesn't really make sense for me to try to be something that I'm not.
I don't ever balk at being considered a Motown person, because Motown is the greatest musical event that ever happened in the history of music.
I feel very blessed we can still have a career making music.
When you do a show five days a week and one night a week, the way I was doing, you use up so much music every day that pretty soon you find yourself hustling for material.
It's sometimes impossible to fit in all the music we want to fit in, in an hour and 45 minute show.
I want kids of this generation to see that everything is cool, that there's some kind of unity in hip-hop. We all found something that's really important to us, and music is all we've really got.
Certainly being in California has encouraged a sustained commitment to rethinking the nature, purposes, and relevance of the contemporary arts, specifically music, for a society which by and large seems to manage quite well without them.
I never pushed to be a star. I didn't want to. I had my home, my family. Session work let you do the music and leave.
In the mental calmness of a spiritual life, I have found that the answers to the whys in our lives are able to come to you. In my music I find the same thing.
Yeah, we have our differences, but we put those aside, and now we're making music. It's great.
Music is my life, it is a reflection of what I go through.
Music can also be a sensual pleasure, like eating food or sex. But its highest vibration for me is that point of taking us to a real understanding of something in our nature which we can very rarely get at. It is a spiritual state of oneness.
Death is the king of this world: 'Tis his park where he breeds life to feed him. Cries of pain are music for his banquet.
I always think of albums as the format. I think it's perfect. I don't think you can tamper with that. It's not just sound, the analog, which is so much richer. It's the format. You're constrained by just 45 minutes, and it's perfect to me. I don't want to listen to any more than, and I live and breathe music.
My worst fear is my music won't connect with the public.
I feel like everything I do in the hip-hop world has an influence. People don't really notice what I did until somebody else does it. As far as hip-hop goes, I want to continue to make good music, and good art. I don't really follow the state of hip-hop.
There is something comforting about going into a practice room, putting your sheet music on a stand and playing Bach over and over again.
My music, my songs are 100 percent inspired by girl power.
And the input that we always got from Deadheads, at the moment of making the music, was always a factor.
It's a good community, country music, because we get the chance to sit down and... me and Tim McGraw spend a lot of time. Me and Kenny Chesney had the opportunity to spend a lot of time together. It's been a lot of great advice through the years.
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
It is a rare American who does not have some story about how music has made our lives richer and more interesting, how it has changed our moods, brought out the best in our character and even sometimes helped us earn a living.
Music became a healer for me. And I learned to listen with all my being. I found that it could wipe away all the emotions of fear and confusion relating to my family.
Every day I lugged my backpack through the halls, waiting for the final bell. Then I'd race home and hole up in my room, playing the drums and the piano, composing music.
Just sharing music with each other - that's cool. It's the selling that becomes the problem.