Monsters are the patron saints of imperfection.
When our ancestors crouched about the camp fire at night, they told each other tales of gods and heroes, monsters and marvels, to hold back the terrors of the night. Such tales comforted and entertained, diverted and educated those who listened, and helped shape their sense of the world and their place in it.
The logical outcome of evolution is that it makes monsters. We turn into monsters because evolution takes away everything that makes us human in the sense of our moral accountability, our moral absolutes, and our idea of being distinct from the animal kingdom.
Hedwig is on a quest; she's on a quest as much as Jason and the Argonauts, as much as the boy in 'A.I.' She's looking for something. She's looking for her other half, and she's on tour. Monsters, Cyclops - maybe they're her mom? - appear on various islands.
NI love watching science fiction because I feel like when it's done well, it's not just monsters, but philosophy. Really good science fiction like, '2001,' for example, or the first 'Matrix.' But it takes someone who's got a brain and thinks in order to do really good science fiction.
I'm just happy the city has something to be proud of. The Cavs, the Indians, the Monsters. It just shows that we are the land of champions.
'Zorn' goes to some pretty ridiculous places, but the real comedy is coming from these little observations about life that are not as outlandish as some of the bigger moves in the story. This is a guy who has magical relics and fights weird monsters and is also dealing with very basic work and family things.
A game like 'Myst' may be a gorgeous slide show that preserves its beauty at the expense of speed. A game like 'Doom' sacrifices almost everything for action. But the eye soon adjusts: the degree of detail more than adequately conveys infinite claustrophobic labyrinths populated by howling monsters.
Monsters are real, and ghosts are real too. They live inside us, and sometimes, they win.
Whatever comedian says he doesn't read comments, I never believe him, because we all have the same pathological problem to see what people think of us, and it sucks, because you try not to take it personally, and people are monsters and idiots.
I am able to play monsters well. I understand monsters. I understand madmen.
A novel can grant humanity even to those who act inhumanely, and by making men and women of monsters, it can offer not only a ground-level view of a particular conflict, but a descent into the substratum of human nature capable of the incomprehensible.
When I was a kid, going to Universal Studios, which was all I wanted to do, all the time, there was a show that was all the monsters, and I loved that show. I was obsessed with Dracula. I was obsessed with Frankenstein. I was obsessed with the Wolfman.
What's lovely about 'Eureka' is that it's a sci-fi show, but it's not monsters from outer space; it's not craziness from outer space. It's just about this community of people and what they do. These geniuses have sometimes done wonderful things and sometimes created global warming. It has this wonderful left-of-center sense of humor.
What I want is a way to put Universal monster toys back in the aisles alongside 'Star Wars' and all the other stuff and introduce today's kids to the classic monsters.
I don't try to sanction other people's joy in monsters. I mean, I think the fact is, humor, fantasy - you know, like fear, desire or laughter - create genres of their own: comedy, melodrama, or erotic films or horror films... The boundaries cannot be defined. It's to each his own.
Mike Mignola's 'Hellboy' was influenced by Lovecraft big time. He wanted to make his monsters Lovecraftian. But I think many other films have been influenced by Lovecraft - like 'Alien,' which is almost an outer-space version of 'At The Mountains Of Madness.'
When you say 'Monster Trucks,' people don't think monsters inside of trucks.
There's monsters in all of us, but there's also vulnerability.
I never sought to play monsters in films.
What's more unnerving than magnetism, ghosts, and unpurified water? Gadgetmongers who purport to protect us from metaphysical monsters that go bump in the New Age night.
My plan for the online version of 'Famous Monsters' is to become an online 'uncle' to an entire group of people who have never read or heard of 'Famous Monsters of Filmland.' The site will not be written in a scholarly fashion. It will be written in a playful, 'Hey, check this out!' kind of way.
Monsters just outside our peripheral vision are scarier to contemplate than monsters miles away or in someplace only a fool would set foot in.
Monsters almost always are culture's way of working out their fears and are thus inherently incredibly interesting and powerful.
I believe it's worth observing terrible things people have done as clearly and rationally as we can to show that our monsters are not caricatures.
I think that most of the monsters I dream of, I dreamt of as a child.
I always loved stage combat at drama school so I can't wait to get on set and kick some evil monsters into the next dimension!
I'm a big fan of monsters. Number one, they're fun, and two, they're such great ways to access the subconscious fears and beliefs of any group of people.
I grew up with Forrest J. Ackerman's 'Famous Monsters of Filmland' along with a plethora of movie tomes and wanted to write about film with a sense of personality, passion, and humor.
I have an idea for a Godzilla movie that I've always wanted to do. The whole idea of Godzilla's role in Tokyo, where he's always battling these other monsters, saving humanity time and again - wouldn't Godzilla become God? It would be called 'Living Under the Rule of Godzilla.'
When I was a kid, I really got into monsters.
Monsters are a departure from 'reality' in a way that allows for a range of fantastic possibilities. I mean this within the world of literature as well as in regards to art. When I sit down to draw, I'm energized by the possibility of creating a monster. That is where I find beauty and pathos.
The thought of making a movie in which the monsters were the good guys was just financial suicide.
