As I got older I became a kind of sub cultural junkie, foraging around in music, street fashion and eventually art, politics and the freakier reaches of the Internet, hunting the next discovery, the next seam of underground gold.
I don't believe that fashion should exclude people - I have always been about making it accessible to everyone.
I wasn't naturally drawn to fashion when I was younger but with my work I'm so exposed to what's out there that I'm hoping my style has become a little more sophisticated.
It's very easy to say that men think about things more simply, but it kind of is true. And that's not actually a bad thing. Approaching things in a more logical, practical fashion. This is a massive generalisation, but women tend to think about things more first, then act afterwards.
I love fashion, and I love clothes, and so collaborating and putting pieces together is a passion that I have.
Carrie Bradshaw made it okay for New York women to take fashion chances and show that they are fabulous and strong.
My mum taught me a lot about fashion in terms of knowing what looks good on you and developing my own sense of style. Even when we were shooting the Sunglass Hut campaign, we went through racks of clothing together, and ultimately I decided on a short, more fitted peplum dress, while Mum opted for a sexy blazer and black leggings.
The fashion of the '90s is a massive inspiration to me. My favorite video of all time is 'Say You'll Be There' by the Spice Girls. That's the best styling ever. If I could dress like that every day, I would.
I so often heard from women that they saw this beautiful fashion, but it didn't always work for them - whether it was cultural reasons, lifestyle reasons, body type reasons. So it seemed like in my mind there was a gap there, that women really wanted to be able to customize items to fit their needs and their tastes.
Fashion responds to the economic climate by providing a way to lift a woman's spirits.
I almost resent the whole fashion thing. Good God- never wearing the same thing twice and all of those things. It's a pain in the ass.
Quality for me is key, and this stands true in every facet of my business from real estate, hotels, and fashion.
Where consumption is both conspicuous and competitive, humanity will never run out of new wishes. All the while, industry creates new desires that are marketed, in the great fashion paradox, as both novelty and need.
I got to host a radio show. I got a clothing range. I was the face of fashion week. I got to do a whole television show with kids.
Paris is paramount for fashion, always was - always will be.
I started this charity, Fashion for Relief, in 2005, after Hurricane Katrina happened. New Orleans was actually the first place I visited in the United States. It was one of my first big jobs, a shoot for British 'Elle.' It was April 14, 1986.
What doesn't confuse me about what women wear? When it comes to women's fashion I'm so oblivious. I have no idea what's going on.
I like to find the beauty in the ugly. When I'm in a thrift store, I gravitate toward pieces I know I'll wear a ton, and insane pieces that I'm sure most people would consider gross. But I find them inspiring. Our van is currently stocked with some of my random findings from this tour. Maybe I'll call my aesthetic 'van fashion.'
A lesser complaint: hair extensions. There are moments on 'All My Children' when half the women actors, young and old, seem to be afflicted by android Barbie creep. All those thick swatches of lifeless strands clustering lankly round ladies' necks! Like orange tanning spray, this is a fashion fad that should be put out of its misery.
While choosing a fashion show, I take into consideration the designer and the collection. Then only I said yes to do a show.
All brands, whether high-ticket luxury ones such as Cartier or Rolls-Royce or 'masstige' ones with luxe-y overtones but altogether more affordable, all want to grow. Even brands that may have started in a modestly niche design and lifestyle fashion can find themselves under pressure to go global or to sell out at the top.
I think style is very different from fashion. Fashion was what I went after when I was feeling incredibly insecure and monstrous on the inside.
Honestly, I try to forget Fashion Week once it's over. I just want to go home and rest and just forget I even did it. It could drive you crazy! It's just show after show after show, and you're missing your family and they feel really far away. You don't go to sleep. You work for a month.
One of my business partners would remind me that no fashion line lasts forever, that we would hit the down curve eventually, and that we needed to look for new brands that complement the first one.
I've always been inspired by women, and my mission was to inspire women. I always wanted to become a certain kind of woman, and I became that woman through fashion. It was a dialogue. I would see that the wrap dress made those women confident, and made them act with confidence.
We use fashion for status and to beautify and there's nothing wrong with that, but when it becomes completely unbalanced, then you're living a decadent life. And when that happens on a global scale, you're living in a decadent world.
I like fashion. My mum was a dressmaker, believe it or not, so the consequence of that was that all my clothes were homemade, and I looked like a terrible mess until I was old enough to buy my own. But I love good tailoring.
I was never really interested in fashion before I started to work with Dior. I didn't see fashion as an art form.
I'm such a bad shopper for myself. I love fashion and all that kind of stuff, but that's sort of the last thing I want to do when I'm done with a film is go shopping. I want to just chill.
I didn't try and do fashion pictures. I tried to do portraits of girls wearing dresses.
Fashion is this obsessive narrative that people don't understand but they can't stop looking at.
Our fashion for us, it's an expression; first of all of life, I put all of myself in my fashion. Sometimes it's good, sometimes it's bad, but this is a mirror, an expression about Domenico and Stefano. It's not just a profession: it's a person with a lot of personality.
I have a soft spot for cashmere - even though that is not a particularly sustainable fabric, I do invest in quality, so it is sustainable in the sense that it is not just throwaway fashion and I keep it for a long, long time.
There's so much fakeness in the fashion world, but Mum and Dad have always given us a good work ethic and were quite worried at first about whether I could make a living from acting. They've been together for 29 years and share the same values. I really do want to have that kind of marriage myself.
Women who have understood fashion and style for so long have always known it's not about having more pieces. It's about having the right pieces and having the pieces that are of a great quality and look like you know what you're doing. You don't have to have a million things on.
My parents are famously not part of the gestalt of the fashion industry.
