I love my genre films, but I think when I get older, the way I tell it will be very different to how I told it when I was in my mid-twenties, which is how old I was when I made the first 'Saw.'
I was in my dad's church, his Baptist church, and I think the first song I ever performed was 'Jesus Be a Fence Around Me.'
I think that bold leadership sells.
I don't think about whether it's gonna be a dance record or a ballad or anything when I'm making music. I sit in the studio and I think, 'How am I feeling today?' and I write how I feel. It's really, really simple.
I think there is a big disjuncture between what we are served up as consumers and what we are served up as citizens.
A few girls would be catty and say that my voice sounded really high, and I sang like a chipmunk, I got a few prank calls about that a few times. But it didn't really bother me that much. I think I was so focused on music that nothing could break me or get in my way.
I think what we've been able to do with 'Longmire' is balance this procedural with a bit of a soap opera, and it's a character study of this character, Walt Longmire, and the people around him.
I think the most important leadership lessons I've learned have to do with understanding the context in which you are leading. Universities are places with enormously distributed authority and many different sorts of constituencies, all of whom have a stake in that institution.
I think there's only eight songs on 'Born to Run' - I don't think it's much more than 35 minutes long. But as you move into it, where every song comes up in the sequence makes a lot of sense - though we weren't thinking about it; we were going on instinct at the time.
I think Sacajawea was caught in a series of tragic situations - her kidnapping as a child, her being passed from tribe to tribe, being sold into marriage. However, I never thought of her as a tragic figure. I do not think she was a victim in the way we think of tragic figures.
I think part of being in the public eye is getting recognized and dealing with positive and negative scrutiny.
There's no such thing as an absolute openness. Openness is relative, I think, in all societies.
I think we need people with stronger ideals than John Kerry or Bill Clinton. I think we need people with more courage and vision.
I think that it'd be nice for other Asians to support other Asian artists and help each other instead of pull each other down.
My favourite word? I think, delicious, because it sounds so delicious. You say it, and you just wanna eat a chocolate bar.
I think Chris Weitz is an amazing director, and his sensibility - I wouldn't even know how to articulate it - it's just, he's a very sensitive, interesting guy.
I think the average country music fan grew up the same exact way that all the artists did, listening to hip-hop and country and R&B and pop and whatever it may be.
I think you can be conservative and fight for what you believe in without being mean-spirited or bash people or be ugly about it.
When Democrats kind of cavalierly attack the religious right or go after Pat Robertson or Jerry Falwell, our candidates have sent the signal to a lot of religious people, 'Well, I guess they are not interested in me.' And I think this includes a lot of people who would fit very naturally within the Democratic Party.
Yeah, I am in favor of migration. But I am also in favor of education. But at the same time, I am in favor of progressive taxation. I think we need all of this. I think we don't have to choose one.
I think the tennis is only a game. You can lose. You can win. After that? In life, there are much more important things than tennis.
I realized that, for me, great records always moved me with the lyrics and the melodies. And so I said, 'I think I can do it now,' 'cause I found a team of people who understand I didn't want a record that was 'drop it, pop it, shake it' just 'cause I can dance.
I think every new player needs time when they come to a new club and a new country, and I certainly did.
I remembered, like, when 'Not When My Daughter' came out, I'm serious, I think dating for Iranian men became a lot harder. Dude's name, Shahrokh - became Tony. Mehsud became Mike.
I think my independence was a big help to getting Judges Roberts and Alito confirmed, and I think that's recognized.
I think most of us are raised with preconceived notions of the choices we're supposed to make.
I consider myself a significant supporter of any candidate I work for, and I am certainly generous, I think, with my own funds.
I think a lot of people have a problem with the fact that I've adopted an African child, a child who has a different color skin than I do.
I think within Japan there is talk about how there is the need to reassess the future of the U.S.-Japan alliance.
I think that when you've only lived 17 years, you don't have, you haven't had a full canon of experiences, so every moment that you have here feels like the last moment in the world, because you've only had a handful of whatever those moments are.
They're each on separate coasts but I think that the deep Maine woods shares some similarities to the Pacific Northwest.
The best thing anybody ever told me about acting - and I think it's probably true for life, generally - is listen. You've really got to watch, and you've really got to listen. Not see and hear.
All of us are probably three people. We're probably the person that we think we are, and we're probably the person that you or somebody else perceives us to be, and... frankly, we're probably somewhere in the middle. And I think that it's important that there be a balance with respect to how individuals are - you know, are looked at.
I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.
If there's ever any point in my life where I could meet Jennifer Aniston, I think that'd be pretty incredible!
I think that's the strength of photography - to decide the decisive moment, to click in the moment to come up with a picture that never comes back again.
