I think that we should all be defined by our work and our results.
Do I think I was put here on earth to be a journalist and to seek truth? No, I don't.
I think my attitude has always been to put food on the table.
I think it should be ambitious and good music does deal with life and art and all these wonderful things.
I think that you really don't have a choice, when you see that things are wrong the only choice you really have is to just do what you can to make it better.
I think no artist can claim to have any access to the truth, or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they're trying to write about. They have music.
I've just had eighteen straight whiskies. I think that's the record.
Everybody has done something about Marco Polo. It's the tiredest, most trite and worked-over subject in the world, and that was why it appealed to me, because I wanted to do something really new and different about something that had been worked over all these centuries, and I think I did.
Last year I think I made more from my Image books than anywhere else.
I do miss England. Well, I miss the idea of England, I think. But I haven't been back for years. I probably just miss the past.
I think this Occupy Wall Street thing is great. I think that is a good thing and that people need to stand up, voice their opinions, and be heard.
I think it has most to do with the way in which a story is told, whether it feels real either via the music of the telling or the 'honesty' of the story.
I think it's the nervousness and the worry that it won't last forever that keeps us working so hard.
There were two sides to David Lean: on the one side, he was kind of a rather stiff, disciplined Englishman. And then he had this kind of romantic side to him. I think being true to both sides of your nature is important.
I think my parents were happy that I'd gone to university and gotten a degree in history so they thought, 'Well if acting doesn't work for him, he can always become a history teacher or something.' Fortunately, the acting worked out.
I think he will probably come round in time, I mean to renew the subject pretty often.
Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.
I have had moments where I've felt like, 'I'm going to feel a little guilty if I don't put the baby down for her nap today, but I really need to go to that spin class. And that's good for my health and my mental well-being, so I think the nanny can put her down for her nap, and I'm going to be OK with that.'
Some think that by preparing to deal with crises you make them more likely. I think the wiser judgment is the contrary. In this area at least, if you want peace or stability, it's better to prepare for war or instability.
I think the future also will not belong to those who are cynical or those who stand on the sidelines.
I would still love to do more Handel. I think Handel was a fantastic composer. I did lots of Vivaldi, but it's also important to do the music of Handel, one of the greatest composers of the 18th century.
Look, I think by the time my case was over and other ones, everybody on both sides of the aisle in Congress said we can't run a government by this kind of process and they repealed the law and that's good.
I have some NASA memorabilia from the early Apollo days that I can't imagine parting with. I've always wanted to play sort of like a space cowboy, too, like the idea of Captain Kirk. I think that's everybody's dream though, right?
I think the fundamental part of my technique is my vibrato.
I don't think about race before I start drawing. I think about how to make that mark to fit whatever purpose I need it to fulfill.
And I think, on the other end, there were actors who were not as good as I was, perhaps who could have hung in too, but began to blame everything on race.
I think everyone became sick of Sheryl Crow. I actually became sick of Sheryl Crow.
My girlfriend's dad runs the Prostate Centre on Wimpole St. in London, and he's chairman of Prostate U.K., which I think is the second-largest prostate cancer charity in Britain.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
I love singing and I think I have a really nice voice, but I don't think I have an unbelievable singing voice. I think I have a great character voice.
People talk about perfect timing, but I think everything is perfect in its moment; you just want to capture that.
I think that is what film and art and music do; they can work as a map of sorts for your feelings.
It's strange to play outdoors, especially in the daytime. But we're figuring it out. The rules are different for festival shows - how you talk to the crowd, how you can try to get them involved. Things are just a little different, and I think we've learned to adapt our show.
My parents' parents were regular working-class people. I ended up speaking in a certain way, and one gets sidelined into doing certain parts. I think that is really quite narrow-minded.
Sometimes I think I should have chosen a line of work where it was just me alone in the room, with the sun coming in, and God, insofar as he or she exists, smiling down upon me. Then I would have never been accused of being a tyrant, other than towards myself.
I think living things can recognize the movement of other living things, and all the best animators in the world can't quite capture that something.
