I live my life by these little church signs you see as you drive around, and there's one near me that says, 'If we really knew each other, we would neither idolise nor condemn.' And that's it: if we all knew each other, then we wouldn't treat anybody any different. And there wouldn't be any big stars, I guess.
I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.
Everyone has different issues, and I think for a great deal of women, those issues are self-esteem. And for me, I really wanted to understand it and get through it because I didn't want to be an actress afraid of getting older. I refuse to live that way.
In order to live in a different country, you have to love something there. You have to love something there. You have to love either the spirit of the laws or the economic opportunities, or the - well, history of the country, the language perhaps, literature.
Possibly I am difficult to live with, but I don't bring my work home much. I'm either busy or not busy. And I don't work from home. I have an office here which has a white wall. No view. I did try working in a room with a view but it was too interesting. Too distracting.
We know that we cannot live together without rules which tell us what is right and what is wrong, what is permitted and what is prohibited. We know that it is law which enables men to live together, that creates order out of chaos. We know that law is the glue that holds civilization together.
I read somewhere that 77 per cent of all the mentally ill live in poverty. Actually, I'm more intrigued by the 23 per cent who are apparently doing quite well for themselves.
I believe our country has to do whatever we can do to protect ourselves-we're king of the hill. We need to protect democracy and the lives of those who live in the free world.
Like working families all across the state, we must find a way to make government live within its means.
A while ago I said that, 'You know, I like a guy - he doesn't have to be all rich and famous - he can be normal.' And I remember I was walking in the mall, and this guy was like, 'Tyra, I'm normal. I live with my mama. I ain't got a car and I ain't got a job! I'm real normal.' And I'm like, 'That's not normal - that's a loser!'
I do not want to live in a world where everything I do and say is recorded. That is not something I am willing to support or live under.
Work and live to serve others, to leave the world a little better than you found it and garner for yourself as much peace of mind as you can. This is happiness.
I'm not drawn to actresses, but I have no rules about that. I just want to be around positive people. The toughest thing will be to find a girl who will be prepared to live in the middle of nowhere in the middle of the country. I don't think L.A.'s the place to find one.
No one can live under degradation.
Live, so you do not have to look back and say: 'God, how I have wasted my life.'
People live too much of their lives on email or the Internet or text messages these days. We're losing all of our communication skills.
I love all Yes music and love to play it live, but I'm most interested in making new music with Yes.
To live life well is to express life poorly; if one expresses life too well, one is living it no longer.
I discovered that in a story I could safely dream any dream, hope any hope, go anywhere I pleased any time I pleased, fight any foe, win or lose, live or die. My stories created a safe experimental learning place.
So what we're talking about here is human rights. The right to live like a human. The right to live, period. And what we're facing in Africa is an unprecedented threat to human dignity and equality.
There's this tendency to be like, 'Where's the negative stuff? How valid is the criticism?' But honestly, what people think of me is none of my business. If I live on the Internet looking for public approval, I'm going to be miserable.
Gain may be temporary and uncertain; but ever while you live, expense is constant and certain: and it is easier to build two chimneys than to keep one in fuel.
The networks initiated the discussion of live coverage.
The way that I live my life is on spontaneity.
So many people preach that they love fashion, but really it's what I live for!
What would it profit thee to be the first Of echoes, tho thy tongue should live forever, A thing that answers, but hath not a thought As lasting but as senseless as a stone.
I have studios in the different places where I live - in Ibiza, Paris and London - but they're not crazy studios, they're just rooms with good monitors, and all I do is plug my laptop in. It's a different way to make music, but for me, I love it, because it's more connected to the world.
Failure and things of this sort - you can take it one of two ways. You can either let that hurt you and really affect the way that you live your life in the future, or you can use that as an opportunity for growth.
People should buy a house to live in, not as an investment. Property has become such a national obsession - it was the primary subject at dinner parties and how many television shows were dedicated to the market. It's not good for the economy.
In this life struggle, here I am among you fully cognizant that a true believer has no fear of what God has ordained for him. Those who are visited by fear live only for their present, under the illusion that the world began with them and will end with their departure.
Saturday Night Live is hitting me on a regular basis again. This is my fourth decade that I've been lampooned on Saturday Night Live.
Every now and then, when you're on stage, you hear the best sound a player can hear. It's a sound you can't get in movies or in television. It is the sound of a wonderful, deep silence that means you've hit them where they live.
I feel I'm able to get rid of any demons lurking in my psyche through my writing, which leaves me free to create all of this and to enjoy our family life, stepping away from all the fictional traumas and the dramas. If I write about family in crisis, then I won't have to live through it, I guess.
I constantly experience failure in that my work is never as good as I want it to be. So I live with failure.
Performing live on stage is such a community, whether it's my musicians or a cast of a show that I'm in. And then when you're in the studio or on set, it's a much more solitary experience. Both can serve me at different times in my life. And when I go back and forth from one to the other, it helps me appreciate all of them much better.
I've never, ever in my life enjoyed playing live the way I am now.
