Zitat des Tages über Landschaft / Landscape:
I like landscape, I guess. It's kind of a game to see how you can describe it.
At HSN, entertainment has quickly become a core part of who we are and is a key differentiator from others in the retail landscape.
I get excited by landscape.
Certainly one of the more common experiences in the jazz field is discovering someone new. Improvising musicians are capable of being musical travelers, voyagers. We want to join in on whatever we hear. There is a freedom to wander the musical landscape.
Any landscape is a condition of the spirit.
There is an eternal landscape, a geography of the soul; we search for its outlines all our lives.
Obama's plan for higher taxes and more spending is a blueprint for perpetual poverty. The last thing America needs is more of the Democrats' class warfare that has left our economy a barren landscape.
An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it.
I think landscape photography in general is somewhat undervalued.
With the mining sites, I found a subject matter that carried forth my fascination with the undoing of the landscape, in terms of both its formal beauty and its environmental politics.
I really respond to diversity, a broader landscape, with actors of different ages and races and backgrounds.
Oh man, there's no shortage of craziness happening on the American landscape right now. I'll turn on the TV every day or check out the newspaper, and there is something to find humor in or something to find absolute fear in. Either way, it makes for good comedy.
If you are not an accredited investor, you only have one option: to buy and hold bitcoin on your own. The process of acquiring bitcoin is risky and requires a lot of due diligence to navigate the landscape properly.
What I take from writers I like is their economy - the ability to use language to very effective ends. The ability to have somebody read something and see it, or for somebody to paint an entire landscape of visual imagery with just sheets of words - that's magical.
'Detroit 1-8-7' - the numbers are police slang for murder - is filmed in that blue-collar Michigan city, providing a flavor of authenticity. Detroit offers a unique visual landscape that tells the story of the city and what it's been through.
'Pierrot le Fou' is something I keep coming back to. It's so surreal but still really engaging - it proves narratives within narratives are a landscape that can be pursued well.
One of the problems with any kind of talking about the media landscape is that we've just been through an unusually stable period in which, for fifty years, English language media was centered in three cities - London, New York, and Los Angeles - around a very stable group of people working in a relatively stable set of media.
One city can look at other cities relative to their city and learn something. It's a matter of sharing the patterns of what exists in one society based on landscape or cultural values versus other cities.
I stress the uniqueness of the Australian landscape and its metaphysical and mythic content.
Landscape is to American painting what sex and psychoanalysis are to the American novel.
One likes to think one grows as a writer as one ages, else all you get is an 'old' young writer. Beyond that is the changing landscape of the universe and the stories I choose to tell.
There has been much talk referencing what I consider conceptual reports like the Landscape of Choice and documents created as a result of the Great Valley Center.
Germany's fascinating. It's a really rich landscape to film and dramatise.
I have to try and change the landscape, whatever it is.
Contrary to slanderous Eastern opinion, much of Iowa is not flat, but rolling hills country with a lot of timber, a handsome and imaginative landscape, crowded with constant small changes of scene and full of little creeks winding with pools where shiners, crappies and catfish hover.
I can be a woodsman if need be. I grew up very close to some forest, and I spent a lot of my formative years up and down trees, fooling around in the woods. I'm no stranger to that sort of landscape.
In the landscape of extinction, precision is next to godliness.
In the central Indian state of Orissa, mining has scarred the landscape, and it is already too late to secure most of the traditional elephant corridors.
With the evolution of social media that includes blogging, Facebook, and Twitter, who and how information is delivered has changed tremendously. The landscape for news is a different place, and people have to accept that.
From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.
What I loathe is the multi-national conglomerates who must take responsibility for the degradation and pollution of so much of our landscape with their factory farming and greed.
The 3D world allows you to engage even more with a film because you're somehow drawn into the landscape or the universe of that scene. Even when it's two people talking at a table, you feel like you're a third party.
The clear French landscape is as pure as a verse of Racine.
I can go into the wilderness and not see anyone for days and experience a kind of space that hasn't changed for tens of thousands of years. Having that experience was necessary to my perception of how photography can look at the changes humanity has brought about in the landscape. My work does become a kind of lament.
What I quickly discovered is that our so-called new South Africa has as much material for a story-teller as the old one. The landscape hasn't really changed. Who is in power now is different to who was in power then, but the squatter camps grow like cancer, the rich get richer, the poor get poorer.
We must also recognize the new realities of modern warfare and the modern landscape of a battlefield.
