I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.
Maths should be more practical and more conceptual, but less mechanical.
We often represent God to ourselves as being able to draw from non-being a world without sorrows, faults, dangers - a world in which there is no damage, no breakage. This is a conceptual fantasy and makes it impossible to solve the problem of evil.
Especially for fostering creative, conceptual work, the best way to use money as a motivator is to take the issue of money off the table so people concentrate on the work.
