We are already experiencing the symptoms of climate change, especially with a hotter and drier climate in southern Australia - the rush to construct desalination plants is an expensive testament to that.
Fiction allows us to both evade truth and to approach it - or, rather, it's fiction that allows us to 'construct' our world. It's haunted by the unimaginable and the unspeakable.
I think 'Mudbound' reveals the interconnectiveness of our stories. You can't separate out threads of history and race as economic construct. 'Mudbound' makes it very plain. Race is about commerce; it's not an actual thing. It's a fiction that was created to basically divide resources unequally.
There are many, many nouns for the act of looking - a glance, a glimpse, a peep - but there's no noun for the act of listening. In general, we don't think primarily about sound. So I have a different perspective on the world; I can construct soundscapes that have an effect on people, but they don't know why. It's a sort of subterfuge.
Image is something you construct, while reputation starts at home. If you are able to pass on solid values to your children, then they can become citizens of the world.
I had a somewhat religious upbringing. Not strict, but it was there, and I'm kind of thankful for that. If you grow up just watching MTV, that's its own form of religion, and it's not even based on happiness or communal responsibility. I mean, try to construct a worldview out of that.
You can construct whatever story you want to. Documentaries are constructions, as is all journalism.
Humanity's legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences. At the very simplest, it can be: 'He/she was born, lived, died.' Probably that is the template of our stories - a beginning, middle, and end. This structure is in our minds.
Paul Poiret did wonderful things because he was so influenced by motifs, but Vionnet really understood the kimono and took the geometric idea to construct her clothes - and that brought such freedom into European clothes in the 1920s.