I'm no longer interested in being in big commercial films.
There's two tiers of science fiction: the McDonalds sci-fi like Star Trek, where they have an adventure and solve it before the last commercial, and there are books that once you've read, you never look at the world the same way again.
I'd love to be an award-winning, commercial successful actress! I would love to push myself to the limits as an actress and experiment with playing really interesting women.
One of the obvious things that went wrong with Multics as a commercial success was just that it was sort of over-engineered in a sense. There was just too much in it.
I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films.
A lot of the commercial world wants to bank in on the cachet that jazz brings.
Years of imprisoning and beheading writers never succeeded in shutting them out. However, placing them in the heart of a market and rewarding them with a lot of commercial success, has.
When you're told that as a filmmaker of colour, the stories you want to tell aren't commercial enough, then you start thinking, 'I'm going to tell them anyway.'
Look at the commercial and industrial development that is going on along the 101. A lot of the infrastructure - the sewer lines and drainage that make development possible - was put in during the freeway construction.
A year after winning the Oscar, almost to the day, I was directing a dog food commercial.
Comedy is not commercial; it is risky, because what is funny in one place isn't always funny somewhere else.
I'm sure there are some commercial applications for Twitter, but they don't really interest me. I mean, 140 characters? I am really not interested in Ashton Kutcher's daily walks. Not for me.
The very first pharmaceutical commercial I ever heard was 15 seconds of the product and 45 seconds of side effects, so I know that this cannot be good for you.
Commercial movies have no feeling, no sensitivity. Most people tell me people won't understand films with feeling. But everyone can feel.
It always depresses me when people moan about how commercial Christmas is. I love everything about it. The tradition of having this great big feast, slap bang in the middle of winter, is an essential thing to look forward to at the end of the year.
I'm not writing great literature. I'm writing commercial fiction for people to enjoy the stories and to like the characters.
I got my agents right out of school, and I booked my first commercial right away. It was always enough to not quit and do something else.
Yes, I am a pilot. I am a flight instructor and a commercial pilot.
Besides commercial benefits to the oil companies, equity oil abroad also provides national energy security.
I'm enamored with the art world. Anytime you look at anything that's considered artistic, there's a commercial world around it: the ballet, opera, any kind of music. It can't exist without it.
An established film director can just pick up the phone and say to a star, 'Hey, are you interested in doing a commercial?'
I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.
I think I have a good track record, both in commercial investing and in philanthropic investing. I don't have any interest in creating a named foundation; I have an interest in really good impact for capital. I think I'm pretty good at doing it, so I'm going to apply myself to doing it in my lifetime.
I don't understand what A grade commercial cinema is. If you are talking about box office success, mine are A+ then!
The first commercial routers came out about 1986, and services came in 1987.
Commercial fishermen are the greediest, stupidest people on earth.
If we create a framework for decision-making that is biased toward life, supportive of families, and fair to people of all circumstances, our policies, legislation, and commercial decisions will be vastly different.
This movie 'On the Road' with Kristen Stewart - they were trying to make that movie for 30 years. She says she wants to do it, and they can finally make it. You have so much at your disposal if you're in a successful commercial film.
I've just done a commercial in the U.S. in which I talk about stocks, shares and bonds. Everyone is amazed. They ask me: 'You really know about that stuff or did you just learn it for the commercial?' I tell them I wouldn't do it unless I understood and had an interest.
My mom put me in a Pampers commercial on TV.
I guess I'm part of the art house, but we really have to shake up our ideas, because we're kind of self-parodying ourselves. We go places commercial cinema doesn't go, but sometimes it's to our own detriment.
I think the commercial world is a lateral step from features. Some people see it as a step down, but I've never understood that.
I like studio movies; I love big commercial movies.
Flying commercial airlines has become an all-too-often unpleasant experience.
Acting was always something fun to do on the side growing up, but I never really took it seriously. I would do a commercial every few months, and that paid my school tuition. But in high school, I was mostly into sports and didn't go out for stuff during those seasons.
I don't think it's so hard to be commercial and interesting. Look at Prince, or Neil Young.