Maybe playing in the NHL would be pretty nice, but that's more of a pipe dream for me.
Americans different in some maybe thoughts or emphasis still have the same ideas. They want a government that lets them be free, that leaves them alone, that doesn't interrupt and interfere with every aspect of their life, that lets them go to work and keep more of what they've worked hard to have.
A lot of the writers I've known for 20 years, who used to say, 'Maybe they're right - the novel is dead!' - well, now they don't feel that it's necessarily the biggest job or most sacred calling on the planet. But it's definitely a real thing - it's always been here, always will be here, and one might just as well buckle down and get to work.
I used to throw on soundtracks, and orchestral stuff would be the only thing I could write to, maybe 'Dead Can Dance' or 'Cocteau Twins' or something. Mostly, it was movies scores that would kind of inspire me.
I always imitated other people and thought, 'Well, maybe I'll do standup,' but I was too afraid for that.
The book is actually called 'A Mentor Leader, a Different Way to Lead.' It really talks about my experience in the way I tried lead our football team, things that I learned from, basically, the coaches that I played for and my parents about leadership. And it is a little bit different, counter to maybe what society says about great leaders.
Hospitals are great places, and you can learn from them, but you don't necessarily need to go in anytime you get the sniffles. And maybe you shouldn't treat pregnancy as a disease.
They say that Grandma Moses had several canvases going at the same time. Maybe it was a way for her to catch up with the time she missed while raising children and tending the farm. Like Grandma, I tend to have more than one poem or fiction going at a time. For me, it's just the way I think.
While I'm working, I stick with music that won't distract me - the dub stylings of Scientist and King Tubby, maybe some Beethoven string quartets.
Maybe the first secret is, 'Don't bore people.'
No Botox. I don't think I will go there. I don't want to say never, because who knows? Maybe in 10 years I will.
I like how steady the work in television is. Films, they're hard to come by. They're elusive. I've done a couple, independently financed. You do them, and maybe a few people will see them.
I don't know who made the first Aquaman joke. I'm sure it was comics readers; maybe we all did. But it's the idea that the perpetuated story of Aquaman is that he only has powers in water, and he talks to fish. I think it's the idea of him in the middle of a city just doesn't make a lot of sense to people. It's just the character itself.
I get kind of sad when I look at all of my magazines and think about how at one time I was much more impressed with a certain fashion editorial, or how I feel like I can't really relate to being that excited about fashion anymore. Maybe it's being jaded, but I honestly like that now, when something's really good, I feel more affected by it.
Maybe some people have written us off, but I think the new music today has also invigorated us.
I mean, in 'Big' and 'Pleasantville,' it's a journey that the characters go on where I think they come to kind of meet themselves at the end and who they actually are and give full voice to who they actually are. And that, you know, obviously fascinates me for some reason. Maybe I didn't adequately grow up.
In some communities it is - like, for me, coming out with my parents, they were not accepting; they were not understanding. So it depends. For kids in New York and L.A., maybe it's different, but for kids in Iowa, for kids in Tennessee, it's still something that's not really talked about.
Maybe you could call me a little controlling or I like things to be my way, but since I was a little girl, I've known what I wanted. I'm very rootsy, but it really hadn't ever caused me too much strife. I really know when to say when. I'm not too outward but I'm very honest.
Thrillers are my favorite. I like stuff that keeps you on the edge of your seat or maybe makes you jump.
Maybe it's impossible to spend time with Patrick Stewart and not have the conversation move to the extraterrestrial.
I cut an imposing figure. I am large, and I'm tall, and I have tattoos. I am actually really quiet and shy, but maybe people see me, and they don't want to step out of line, or equate disagreement with stepping out of line with a writer they like.
I really feel that I had a genuinely diverse, multicultural upbringing, and I just don't find New York to be quite as diverse. Maybe I'm romanticising, but I feel that I was exposed to a real melting pot in terms of culture and pop culture. My kids are essentially middle-class, but I do try to remind them that they come from humble beginnings.
Maybe I'm secretly in my soul a method actor.
It was a choice between a paint factory in Indianapolis - a management training program to maybe run the paint factory one day - or go to New York City and become an investment banker. It wasn't a very difficult decision.
My dad was a theater actor, so he had an agent, and he brought me into his agency when I was maybe four years old. That was how I started. I started modeling, and it progressed from there.
Every time I see a musician - it doesn't matter what age - that inspires me, there's always a secret little wish that maybe we'll play together, because that's how I learn and grow and so forth, you know. But hopefully there's a lot more.
My childhood was bittersweet in many ways. We moved around a lot. By the time I was 10, I had travelled thousands of miles, often on my own. My parents were like my friends, so it felt like I didn't really have parents at all. But in a crazy way that was very liberating. It forced me to be independent, maybe a leader, and certainly a survivor.
I'm not sure why I still think of myself as 28 - maybe that's the point where you start growing up, and then you just feel the same for evermore.
On clay, you know that you have much longer rallies, and you must run for maybe two or three hours.
No one has ever bought me underwear, and I'm a little bummed about that. Maybe it's not such a big deal any more.
There should be a point to movies. Sure, you're giving people a diversion from the cold world for a bit, but at the same time, you pass on some facts and rules and maybe a little bit of wisdom.
My parents are very cool and wildly supportive - maybe almost too much. I want to tell them to chill out.
Maybe I need to make a change, or maybe it's living here in New York or using social media or working in media and entertainment, but I feel like I'm constantly trying to maintain this sense of, 'Why do I do what I do?'
You could do a 'Les Mis'-type musical about Hamilton, but it would have to be 12 hours long, because the amount of words on the bars when you're writing a typical song - that's maybe got 10 words per line.
I like to think I get better with age, but maybe absence makes the heart grow fonder.
People's hands fascinate me. It's tempting to look at a businessman's left hand and see if there's an indentation from a missing wedding ring. Or maybe there's a tan line and the skin is pressed down where's he's worked a ring off his finger.
