I see no intrinsic reason why a doubly talented artist might not arise and create a comic-strip novel masterpiece.
Being a writer usually entails a fairly quiet life. However much travel one might do, however many tours and appearances, the job entails solitude: long hours in libraries, long hours at a desk.
One of the things with the second record, a word I held close to my chest was 'brave.' To take chances to go outside the box and explore. To continue to toss off any expectation that our fans or anyone else might have of us, to just tap into who I am as a writer and artist and really just operate within that freedom of creation.
I have a certain taste, and I might be like, 'I like this,' when other people are like, 'I can't wear that.' And in basketball, I might be able to do things other guys might not.
I've always been a fan of Korean cinema but never really pursued it, as I wanted to pave my way here in the States. I figured, once I established myself here, Korea might take notice. And it did.
I had the pleasure of working for Hart Hanson as the writers' assistant on the Fox show 'Bones.' He was always willing to take five minutes in the kitchen and answer questions I had about writing and the business. Looking back now, I realize he might have just been politely waiting for the coffee to brew.
Read a lot - poems, prose, stories, newspapers, anything. Read books and poems that you think you will like and some that you think might not be for you. You might be surprised.
My father used to say to me, 'The only limit to your success is your own imagination.' I actually believed that - like, I'm still coming to terms with the fact that I might not be an Olympic figure skater.
If one lazily thinks of what a fashion designer might do if he's going to conquer cinema next, it would be taking the opportunity to display his fashion sensibilities.
We can be in the studio with the hottest producer, but we might not be able to create any magic! It's not about the hottest. It's about who we feel we have that connection with, and that's who we're going to be working with.
Many of us who have cars have felt some form of extreme anger at other drivers because we feel they have put us in harm's way. We might even envision ramming their cars or cutting them off in return, but do we actually do it? No, because the overwhelming majority of us never want to take another human life.
Anything that controls my state of mind I never really want to do because I always want to be under control. That might be part of me being a Virgo. I never want to do something that stops me from being in control of who I am and my actions.
I have the largest collection of Hulk memorabilia in the world - everything from toilet paper, wallpaper, bicycles - all boxed up at my house in Northern California. I've had it for so long, I think it might be time to sell it.
YouTube is a good way to discover new music now because it comes up with that thing at the side with other artists you might like.
Would you like all of your Facebook friends to sift through your trash? A group of designers from Britain and Germany think that you might. Meet BinCam: a 'smart' trash bin that aims to revolutionize the recycling process.
When we started 'Perry Mason,' we thought it might go a year.
In the old days, when a star left a still-thriving hit show, they'd celebrate by killing him or her off. But 'The Office' dispatched Michael Scott in a crueler and more final way: they made him normal. Since we're talking about Michael Scott, 'normal' might be stretching it, obviously.
There will always be a slight difference between the reel and the real. Even my family might know 99 per cent about me, but there will be this one per cent about me that nobody will ever know. Being in this profession, I am fine with biopics or movies inspired by real-life-characters.
We hope that by sharing my experience - our experience, Lennon and I - that somebody who is going through this process or helping their loved one through it might feel less alone, and might even have some better information for their cancer care.
Some people might be groomed for success; I've just always thought I've got a hell of a lot of things to learn and places to go. Creatively, I couldn't stay on the same treadmill. I chose to be off-centre and do collaborative work.
What drove me to do 'Dead Wake' was that after doing the most preliminary of reading and scoping out what kinds of materials might be available in archives and so forth, I realized that this book - the research, the writing - would present me with a rare opportunity to explore to a full extent the potential for suspense in a nonfiction work.
I just need to believe that we're not in some form of stasis, that we can try to be whoever we want to be. We probably won't get there, but we might get a little bit closer, you know?
The bitter might be just an initial reaction of, 'Oh my goodness, it's sold,' but not really understanding fully that I will be chairman emeritus of the new company, which is Ebony Media Operations. It is African-American led and owned, and I have a seat on the board, and I also have an equity position in the company, so I'm still there.
Doing a me-too business, because it's you - the only person who cares about that is you. The market doesn't care if it's you. The market is pretty much being served. You better have something that the world doesn't have, because even then, you might screw it up through your own ineptitude and inexperience.
If your response to the first black president is to say they weren't born in this country... you might be a white supremacist.
I think that it's perhaps harder to learn from victory than it is from defeat. I think that we don't want defeat. We don't want defeat in sport. We don't want defeat in life. How are we going to be beaten? All right. We have to deal with those things. What's going to cause us to lose the game, whatever the game might be?
What happens is you submit your script with an idea of what the budget might be, and the financier will offer you less than that. In order to do it for less, it means cutting out the art, usually.
Sometimes I think I might have children while I'm still working, but then I think I'd better wait until I can give them all I want to give.
Visualization - it's been huge for me. Your mind doesn't know the difference between imagination and reality. You can't always practice perfectly - my fingers will play a little bit out of tune, or my dance moves might not be as sharp - but in my mind, I can practice perfectly.
A friend of my mother's, Irene Lopez, was a Spanish dancer. She saw me bopping around the room and said to my mother, 'Rosita might have talent. Can I take her to my dance teacher?' There was no thought of a career at that time, but I knew I loved the attention, and that's so much a part of being a performer.
I like interior decoration, so I might do something in that. I might, at some point, take two years off to study interior decoration.
Technology is huge; I wanted to learn about it. People might say that's odd, but I think it's odd if artists aren't interested in the world around them. I'm always chasing that.
Don't hold on to the barre like, 'I might die.' It's just ballet.
You get addicted to emotions. Our endorphins kick in and it's like a high. On the low end you might love roller coasters. On the high end you might be a bank robber or something.
I think connecting to a character is like connecting to any human being - either you like them or you don't. You might not be able to list the reasons why you love your best friend or what attracted you to them; it's just something that you feel - a connection, an understanding, or a curiosity that makes you want to get to know them.
Nearly everyone who goes into a campaign is not only eager for the place he hopes to fill but for what might come after.