Zitat des Tages über Kartenhaus / House Of Cards:
We don't have a problem killing off characters on 'House of Cards.'
Google's not a real company. It's a house of cards.
Remove the predators, and the whole ecosystem begins to crash like a house of cards. As the sharks disappear, the predator-prey balance dramatically shifts, and the health of our oceans declines.
I couldn't imagine something asking as much of me as 'House Of Cards.' It's a great warm-up for coming back to the screen.
I love Robin Wright's character in 'House of Cards' because she's a bona fide villain. She's a not-nice person in a believable way; you can see her working in the world.
The major international appeal for 'House of Cards' was kind of a surprise because it's a very American show. What we learned is that American politics is very American, but greed and corruption and all of that is very global.
I watched 'House of Cards' in three days - and only in three days because I had other responsibilities, like my daughter. I couldn't just sit there and watch the entire season in just one sitting.
I've never done anything in my career that has gotten as much attention as 'House of Cards.'
I don't watch a lot of television. I try to watch all the good movies, but I've got about twenty of these television series that I should be watching. I haven't seen 'The Wire.' I haven't seen 'Mad Men.' I haven't seen Kevin's thing. What's that called? 'House of Cards.' I hear it's wonderful.
I love 'House of Cards,' I love 'Bloodline,' I love 'Orange is the New Black,' so I had written on my refrigerator that I was looking for 'groundbreaking television on Netflix.'
Cubans can be as conversant as any Netflix-and-chill American about popular shows like 'House of Cards' or 'Black Mirror', and they drop allusions to the 'Lannisters' and 'Omar Little' constantly.
I have more faith in doing something creative for a cable station or something like Yahoo or Google or Amazon. What Netflix did with 'House of Cards' and David Fincher was brilliant. That is inspiring to me. I think there is more chance for creativity in animation, it just hasn't happened there yet.
If Marxist theory dictates that the personal is always political, the rebuttal of both 'The Americans' and 'House of Cards' is that the political is always personal: the sum total of our collective needs and desires, vows and betrayals.
'House of Cards' was amazing to work on. I couldn't believe I landed there.
Advertisers don't want to be ignored, and they are drunk on our data, which is what Google and other large networks are really selling. The ads are almost a by-product; what companies really want to know is what antiperspirant a woman of 25-34 is most likely to purchase after watching 'House of Cards.'
I watch 'House of Cards,' which was great. I don't watch a lot. I spend so much time doing it.
The two things that got everyone's attention about the 'House of Cards' deal was the two-season commitment and David Fincher. After David Fincher directs a series for Netflix, no one else can say, 'Well, I'm not going to direct a series for the Internet.'
The best part of shooting 'House of Cards' in Baltimore is eating lots of soft-shell crab.
I'm usually late to the game on shows and watch them after they've aired. But I love 'House of Cards,' 'The Killing,' 'Orange Is the New Black,' loved 'True Detective,' and 'Arrested Development' when it was on. Also 'The Wire,' though I was way late to the game on that.
You know you have a problem in American politics when they're making 'House of Cards' look normal.
'House of Cards' opened some doors. I've been able to tackle some diverse stories and characters.
I'm into 'House of Cards.' 'Breaking Bad' - my God, did I binge on that!
Created by writer Beau Willimon, who's worked on several political campaigns, 'House of Cards' cannily exploits the current widespread cynicism for our politics, catering to a public scorn that's warranted and also glib in the sort of cheap pox-on-both-houses way that means not having to pay attention.
With 'House of Cards,' you really get the heart and the meat of drama - and it's a thriller!
It's so amazing that you can give somebody like David Fincher 'House of Cards,' and he can do whatever he wants - Netflix doesn't say, 'Oh, you can't do that,' or, 'We need a subplot here about this.' It's pretty neat that it is allowing the creatives to be creative.
The best of American television is thought-provoking, original, brilliant, exciting - from 'The Sopranos' on, whether it's 'The Wire' or 'Breaking Bad' or 'House of Cards,' they're fantastic pieces of art.
I owe a lot to my time on 'House of Cards' because, up until I booked that show, I had been working consistently for 12 years, but I wasn't working on anything that mattered in the way 'House of Cards' did to its audience, to casting directors, to directors and producers. The show hit this sweet spot.
Making a movie is still very difficult in Hollywood, regardless of what you have and what level you're at. It is a house of cards, and things have to perfectly align.