Being a songwriter does not rely on an audience or other band members or a camera. I can just sit in a room and write songs.
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
If we put the camera on ourselves, our friends and neighbors, we'll come up with some scary stuff.
The camera is no more an instrument of preservation, the image is.
I love Bollywood as a viewer, but going in front of the camera and singing and dancing is not my thing.
I was always interested - I mean, it's kind of part of your job - I was always interested in the camera.
At almost forty years old, I assumed my career on camera was over. And I was certainly given that message by all the TV managers and news directors who passed on me when I was trying to get a job back in the business.
I have a wild game camera.
We all do role-play. Sometimes behind the camera, and sometimes in front of it. I am the few lucky ones who have been able to wear both hats and especially have been able to romance the camera in a believable way, and I hope that this romance between us never ends.
Actors make bad lovers. Their most important kiss is for the camera. Not in a superficial way, in a really deep way. They can only give everything if they know someone is going to shout cut!
I like being involved in the lighter side of journalism because it serves a purpose, and it's fun. And I can keep my opinions off camera if I want.
When I was teaching at Harvard in the 1970s, I went to Project Incorporated in Cambridge and took photography classes. I didn't even know how to aim the camera in those days.
In Europe and America, you never see a director pick up a camera. They all sit behind monitors.
I don't like acting; not in front of the camera.
The advantage of the Genesis is that it's a rock-solid camera, made by a company with an enormous history and a huge support base. Plus, it's very good in low light using all the Panavision lenses. The downside is that you're recording on tape.
I learned quickly at Columbia that the only eye that mattered was the one on the camera.
Of the thousands of people, celebrated and unknown, who have sat before my camera, I am often asked who was the most difficult subject, or the easiest, or which picture is my favorite. This last question is like asking a mother which child she likes the most.
I don't get why radio shows allow artists to do shows without creative control, without any art direction at all. Instead of that, I get their press guys, their camera guys to be my backdrop of my show.
I don't like to watch playback. But being on the set, watching the way the camera is being moved and the way the light is being used, you do get an idea of it.
I can understand why those primitive desert people think a camera steals their soul. It is unnatural to see yourself from the outside.
Bruce Willis. Pain in my ass, no problem about that. We just didn't get along. We got along off camera, but shooting we just didn't get along.
We get so many requests like, 'We want behind-the-scenes access,' or 'We're going to show people what it's really like to be on the campaign with Donald Trump.' But there is just no way that a camera or an episode or a documentary could capture what has gone on.
With CG, I can do more and be sillier. In 'Diary,' there's a scene where they hit a guy with acid, and the camera is never off him, and you see it gradually eat through his skull and get all the way through his brain. That's fun, too.
Joanna points her camera at a section of society unused to having cameras pointed at it. But I don't know about categorizing them in terms of class; I'm a bit wary of that. My dad is the son of a shipbuilder.
I can't remember exactly how old I was when my parents gave me my first camera, but it was a Canon, and I was certainly far too young to have such a good camera.
The '80s were a time of technical wonder in filmmaking; unfortunately, some colleges didn't integrate their film and theater departments - so you had actors who were afraid of the camera, and directors who couldn't talk to the actors.
I used to hate doing color. I hated transparency film. The way I did color was by not wanting to know what kind of film was in my camera.
I remember thinking, I want to work for the camera.
Film and television is just a different technique in terms of how to approach the camera but basically the job is the same; but what you learn as a craft in theater, you can then learn to translate that into any mediums.
I know it's not particularly tech-savvy of me to suggest a camera that doesn't have a touchscreen, but I think when it comes to candid shots of nights out with friends, there's nothing better than a disposable camera.
I was always in front of the camera. My mom was really passionate about photography - I have pictures of my whole life. I've always just been in front of my mom's camera, and it's always comfortable to me.
Men still control the news, both on and off camera.
Theatre is liberating because it only works if it's truthful - that's what it requires. That's not true of film: the camera does lie.
The film camera's ability to physically move through space, not zoom through space - every time we have a video camera the movement is through zoom; every time we have a film camera it is a physical movement.
I always have a full-length mirror next to the camera when I'm doing publicity stills. That way, I know how I look.
The actress they'd hired had refused to appear naked in front of the camera. I didn't like to appear naked either, but the first thing I did was take off my clothes and jump into the pool completely naked.
