My journalistic mission was straightforward: to await the U.S. invasion of Iraq. Nobody knew quite when this would be. But the diplomacy - the meetings in the U.N. security council, the allegations about weapons of mass destruction, the martial language of Tony Blair and George W. Bush - all suggested a war was brewing.
As a journalist, a big part of what you do is search for drama and conflict. And a lot of the backstory with 'Billions' is grounded in my journalistic background.
I don't think in terms of that bizarre tautology 'value for money' in my literary and journalistic work - and nor will I in my academic role. However, if I don't believe I'm helping my students towards a fuller and more empowering relationship with the world, then I'll resign.
Some people think memoirs should be held to a perfect journalistic standard. Some people don't. Obviously I don't. My goal was never to create or to write a perfect journalistic standard of my life. It was always to be as literature.
There are no journalistic ethics that transcend the value of human life. There are none. In a situation where you can save a human life, you must. There isn't any conflict in my mind.
Though Mohyeldin's journalistic reputation continues to grow - born in Egypt, raised in Michigan, started as a gofer for NBC News, reared as a producer at CNN, first appeared on-camera for Al Jazeera in 2006 - his is hardly a household name, not in America at least.