Every time I got close, somebody seemed to play a little better.
I always laugh the hardest at the stuff you see in day-to-day life. It's great when somebody can tell a joke that really makes you laugh hard, but to see some kind of personal interaction that no one could write is so good. Those are always the things that make me laugh.
You hate to see yourself do one draft of a script and then have somebody else come back in and change what you've done.
To convert somebody go and take them by the hand and guide them.
What I want to do, is play music for somebody who believe in me.
Forget like a child any injury done by somebody immediately. Never keep it in the heart. It kindles hatred.
Somebody tell the damn players to start playing like old school.
When you betray somebody else, you also betray yourself.
Somebody gave me this drum machine and somebody else asked me to program something for a project. I really liked programming and I was really interested in using the drum machine.
As for the Devil - that is somebody our religion tried to do without for a long time.
I just travel all the time. And I was just looking at the schedules now and starting the first week of October I will be every weekend with somebody at tournaments through Christmas. So it gets very difficult to just go away and not do that.
You always have this fear in a movie of just being somebody's woman.
I always wanted to be more of a person that people enjoy. Somebody that will make you laugh. I'm talking about just my personality, not necessarily how my music sounds.
I was in my office when - on 9/11. I think I had a number of meetings scheduled. I was just getting to know the bureau. And somebody walked in and said the first plane had - or a plane had struck the World Trade Center, one of the towers.
Haters keep on hating, cause somebody's gotta do it.
There is an appropriate time to release somebody or to give them a break.
It's about somebody initially knowing more about it than you do but eventually you learn a lot about it yourself and practise the skills and techniques that you've been taught.
Whatever it is that the government does, sensible Americans would prefer that the government does it to somebody else. This is the idea behind foreign policy.
It's important to me that I look good on television because, let's face it, I'm single, and you want somebody to watch the show and fall in love with you.
If somebody wants to attack my work, that's one thing - that, I'll respond to.
If I play a more aggressive, stronger guy, I often go through my day feeling a bit better than when I play somebody who's not.
And I was very comfortable with this band even when we disagreed. It takes a long time to feel comfortable enough to disagree with somebody. When everything happened, it just was really confusing. It's like our weaknesses were nurtured and brought out front by outsiders.
You can't really praise somebody's work and then criticize the process.
You always have to have a bit of fun if somebody is dead in a scene. That's a red rag to a bull for an actor. You do a little poking. You do things to annoy the actor. It's your job. You have to utilize the opportunity. You have to get through the day.
Somebody will be able to crack ebook files in the same way that people cracked music files a decade ago. An author could have worked for three years on his book, have someone buy it for their Kindle for £6.99 and then see it shared with everyone in the world for free.
I think that the process of trying to become somebody else, and obviously the director/actor relationship in trying to do that, is such a weird, undefinable thing.
There is a sign that hangs on my wall that says, 'What is it you want me to do to somebody else that is more important than what you want me to do for you?'
If you find it in your heart to care for somebody else, you will have succeeded.
There is stuff going on inside me. But I have always been told to go out there and pitch like you can't tell if you just struck somebody out or just gave up a home run. If something bad happens, I don't dwell on it. Just give me the ball and let me pitch.
I can tell if someone is talking to me because I'm on 'Friends' or cause they just think I'm neat. You know I don't think I've ever spent more than five or ten minutes with somebody who was ogling me because they recognized me from the show.
I don't go to clubs and stuff like that, so I don't have to put up with it in there. And normally, because obviously I could hurt somebody, and if I look at it that way, I have to back off.
When somebody wants to write an article attacking a scoring system or the influence of wine writers, who's right in the cross hairs? It's not Steve Tanzer, it's not Marvin Shanken, it's me. These other people, it's not like they don't have some influence, and I'm more than happy to share it.
I've got five or six unpublished stories kicking around looking for somebody to buy them.
One thing I think celebrities shy away from is exposing the reality that we're all the same. Somebody's not more important because they have a Bentley or a big house or a famous boyfriend or plastic surgery - we're all the same.
An artist can go paint, and a writer can go write, but an actor needs to get hired, needs somebody to say, 'Here, come and do this,' That's the hard part.
The first time with artistic endeavors is, if it's working, it was your idea, and if it's not, it's somebody else's idea.
