My intuition comes up with better stuff than my head, I think.
I believe that it's an author's job to cast his imagination into the far spaces. Your life should - and I think it's inescapable that it will - inform your work. I'm all for using anything that can make your art better, but your intuition should be an equal partner.
I may have been lucky with some sort of intuition, but I believe in training a great deal.
I make all my decisions on intuition.
The common intuition is that e-books should be cheap because they aren't physical - no printing, no shipping.
Everything I do is just really my intuition, and every time I go against my intuition, it's a mistake. Even though I may sit down and analyze and intellectualize something on paper, if I go against my gut feeling, it's wrong.
We have no reason to expect the quality of intuition to improve with the importance of the problem. Perhaps the contrary: high-stake problems are likely to involve powerful emotions and strong impulses to action.
Over and over, since I was very young, I see things that are about to happen. You can call it heightened intuition; you can call it visions... I see it as a gift. It's my role to give people a heightened awareness, to show that basically we can change the world.
I've always been in rock bands. I was in a rock band with my brother in high school. Then I was playing classical guitar recitals, and people said, 'You know, you can't really do both things.' My intuition told me they were wrong. Somehow, what was interesting about me was that I had those two things in my life.
Intuition is the wisdom formed by feeling and instinct - a gift of knowing without reasoning... Belief is ignited by hope and supported by facts and evidence - it builds alignment and creates confidence. Belief is what sets energy in motion and creates the success that breeds more success.
I never took sheet music seriously. I could do better myself just by listening to other people and using my own intuition.
That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
It more or less has the shape of a love song, but 'Crescent Moon' reflects more my longing for an ancient romantic context that includes wild animals, fire, danger of death, stellar navigation, and seasonal intuition.