I'm always a sucker for a love story.
People seem to read so much more nonfiction than fiction, and so it always gives me great pleasure to introduce a friend or family member to a novel I believe they'll cherish but might not otherwise have thought to pick up and read.
Jazz fans love Miles and I love him for a myriad of reasons, but the overviews are always too simplistic.
A good game will always snatch my attention. No matter the sport, the spirit of competition and audience is nostalgic and relaxing to me.
If you play it straight it's funny - the best comedy is always played straight down the middle. The adjustment is understanding from the screenplay that a moment is hilarious.
I guess I always have been a collector.
I always loved Japanese movies. And they had an enormous impact in France - the Nouvelle Vague took so much from them. It taught us how the camera was placed in the centre of the action.
I am lactose intolerant, and I always thought it was really funny how people who are lactose intolerant continue to eat dairy, because they like it so much. And I find it not acceptable.
Sometimes 'Portlandia' can be pretty traditional. But the stuff I've always loved on 'SNL' has always been the weirdest stuff I've done. The stuff that went on at 10 to 1 in the morning.
Growing up, I always saw the hypocrisy of the Catholic church. The history speaks for itself, and I grew incredibly frustrated and angry. I essentially just put that into my words.
Well, the musicals give emphasis to love, longing, melancholy, sadness. All of that is always there.
I played the organ when I went to military school, when I was 10. They had a huge organ, the second-largest pipe organ in New York State. I loved all the buttons and the gadgets. I've always been a gadget man.
I wasn't always a novelist. I began my writing career as a journalist, working on an afternoon newspaper in Sydney, Australia, doing the crime beat and court reporting. Having grown up in a small country town, I felt as though I had nothing to write about.
Hors d'oeuvres have always a pathetic interest for me; they remind me of one's childhood that one goes through wondering what the next course is going to be like - and during the rest of the menu one wishes one had eaten more of the hors d'oeuvres.
A drawing is always dragged down to the level of its caption.
The big ideas always come in flashes. I don't really craft stories that much. I genuinely don't know where these people come from, and I've often wondered if writing is just a socially acceptable form of madness.
I think if people ask, 'How is Marion Bartoli?', they will always respond, 'She's a nice person.' That's what I'm most proud of.
Every acquisition of accommodation becomes material for assimilation, but assimilation always resists new accommodations.
I always have considered Michael Keaton to be a phenomenal actor because he navigates drama and comedy.
The worst thing is always thinking of titles for records, with some reason behind them, and she just came out with the word, which she thought was a good word, a hard word, and since then we've sort of attached loads of meaning to it.
It's properly scary playing a leading man. Growing up, I always wanted to be a character actor.
Probably people always feel that they are living in a time of transition, but we can hardly be mistaken perhaps in thinking that this is an era of particularly momentous change, rapid and proceeding at an ever quickening rate.
His boxing style is one that I would like to test myself against. I've always been a fan of his, and I've always wanted to test myself against Roy Jones.
Wanting to be liked means being a supporting character in your own life, using the cues of the actors around you to determine your next line rather than your own script. It means that your self-worth will always be tied to what someone else thinks about you, forever out of your control.
Traditional arguments for the existence of God and contemporary attempts to use fine-tuning and cosmology to back up the case for his existence always strike me as kinds of games, since hardly anyone believes on the basis of these arguments at all.
I'm an only child raised by a single mom. She's always been supportive of what I wanted to do.
I was fortunate to play for Pete Rose and have teammates like Ken Griffey Sr., Tony Perez and Dave Concepcion. I grew up in the game with a mature attitude. I've always known it was better to be seen and not heard.
There will always be some kid who's the new Kurt Cobain writing great lyrics and singing from his soul. The problem is they're not marketing that anymore or putting it out there.
I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.
I think from an actor's point of view, you always want something to play that's dramatic or something that feels like it could be very bold in choice. And of course, the boldest possible choice you could play at the end of a character's life is death.
We're going to create a portable handheld environment, and you should expect the same things you've always expected from Playstation - a great quality product, versatility, great value to the consumer.
I've always believed in the power of rational thinking and behavior as the savior of the world, and science fiction as a powerful medium to encourage that, which explains my signature line, 'Let's save the world through science fiction.'
We always need to bear in mind that when it comes to blood transfusion, it's the person that's receiving the blood who takes the risk, not the person donating it.
But when ill indeed, Even dismissing the doctor don't always succeed.
After 30 novels, release day is still a thrill. It's always a little bittersweet, too.
I always had amazing food around the dinner table, a beautiful house to live in, cool clothes to wear to school, and help with my homework. I am so lucky.
