My plan B has always been to make a film about people who talk a lot.
YouTube is found footage. It's here to stay, and people will always come up with new concepts that will make sense for found footage.
For me, the movie's always evolving as I'm doing it. I throw things in as we shoot, and I take things out as we go. I want to create a whole life and then select the pieces that best sort of describe it later, you know? So there's a lot of wastage when I make a film.
I'm not into digital marketing, downloading, or streaming - I've always been a man of the theaters.
The thing that means the most to me is being remembered as a Yankee, because that's what I've always wanted to be, was to be a Yankee.
I've always thought it was important not to attach too much superstition to the space where you're writing, because once you get into the mindset that you can only do it a certain way in a certain place, your creativity can get blocked.
I used to get butterflies. Now we're always ready to hit the stage and rock out.
When I was growing up, Keane and Sheringham were my idols, and they wore 10. So it was always my dream to wear it.
People always associated me with 'Vogue,' 'Vogue Living,' or 'Elle Decor.'
My father was a drill sergeant, and I've always had that mentality drilled into me of 'you've got to do better, you've got to do better.' I just try to listen to the characters. That's what works for me.
I wrote in the cellar for a number of years. I needed a private space, and it had a furnace, so it was always warm.
I'm always worried about overhype. I love underhype.
He will never, ever, give up. And, most importantly, he will never, ever, let you down. Donald is, and always has been, an amazing leader. Now, he will go to work for you.
I've always been open to the idea of an adaptation that does its own thing, that freely diverges from the original as long as it's true to the spirit.
I have always loved blizzards, if only because of the driving experience - which is definitely an acquired taste.
It's interesting when people say, 'You always play strong women,' because as far as I'm concerned, women are strong. I think that's what women are. We have got that vulnerability, but we have got that strength. We are survivors.
I mean, movies in general tend to sort of portray time, space and identity as these very solid things. Time moves forward. Space is what it is. You are you, and you're always you.
Like most early enthusiasts, I always thought the way the Internet encouraged multitasking made users less vulnerable to manipulation, while simultaneously exploiting even more of our brain's capacity than before. Apparently not.
It's always uncomfortable for me when I take off my shirt. No one else is taking their shift off. Why is everyone else in these movies bundled up in layers of clothing and I'm taking my clothes off all the time?
When I speak with people who love their jobs and have vital friendships at work, they always talk about how their workgroup is like a family.
For me as a writer, the story has always taken precedence over everything else. I have never sat down to write with broad, sweeping ideas in mind, and certainly never with a specific agenda.
I've got a bulletin for you, folks. I am no superman. I realize that now, but I didn't always.
I was always a good student, but I didn't read that much until I was 18 and I was working my way through college.
I started playing golf when I was just out of college and starting my career with KPMG. I took a few lessons, and my husband has always loved to give me pointers - for better and for worse! I realized that you could really enhance relationships by being on the course with clients. In fact, my very first golf game was with some clients.
If a woman rising in power is too tough or aggressive, she's attacked for it. If she's attractive, she's accused of having used that to her advantage. And even if a woman is beyond qualified for a role, there will always be those who raise doubts about if she's really qualified.
I always wanted to do a bit of Bollywood and a bit of Hollywood.
I always thought 'Into The Gloss' would be successful, but I didn't really know what my definition of success was.
Pop music was supposed to be a flash in the pan, but here we are 50 years later and it means something to us, and it always will do. It's incredibly important.
I always like to take my time and examine the two candidates, see not only the two candidates but the policies they will bring in, the people they will bring in, who they might appoint to the Supreme Court, and look at the whole range of issues before making a decision.
My weaknesses have always been food and men - in that order.
Thank you for reminding Canada that I'm a disappointment to them. I like hockey, I love it, but I'm not an avid hockey - let's face it, true Canadian - fan. I've always been more into snowboarding and skateboarding and sort of the alternative sports, I'm not crazy about hockey - but love it!
There's always something good to come out of disappointment: Comfort.
I had always presumed that my first book would be published, but I never dreamt that I would write 15 bestsellers and have this wonderful life in America that I have entirely built for myself.
I feel really privileged that I've been able to be an activist and a musician for over 20 years now, and I've always been able to say whatever I want. I think that's something we Americans really take for granted, but it's a big deal, and it's not something most people in the world are able to do.
My technique has always been to include all the periphery around me.
Working with Mario Testino was a joy. He's very young spirited, and it's always lovely and a pleasure to spend time talking to him about all different things.
