I've always been drawn to the extremes of human behavior, and crime fiction is a great way to explore the lives and stories of fascinating people.
I always wanted to have my own boutiques. I'm so passionate about clothing and always have been so business-minded.
I've always played music. But you know, in eastern Kentucky, everybody plays music.
I hope to continue acquiring companies, not so much for the accumulation of wealth but because it's what I do well, and you always like to do what you do well.
I've always been pathologically skinny.
The singer-songwriter has always played music that was stylistically rooted in the '30s and the Great Depression and the Dust Bowl. But the fact of the matter is that none of us remember the Depression firsthand.
We got spoiled with 'Friday Night Lights.' Not every show is like that, and on other shows, if you try to bring that same truth or that same approach, the system of television doesn't always allow for that level of collaboration, which is unfortunate because the work would be richer.
I always used to say to myself, I'm going to die of lung cancer. That's the choice I'm making.
I've always loved 'Before and After' stories, in books, magazines, and TV shows. Whenever I read those words, I'm hooked. The thought of a transformation - any kind of transformation - thrills me. And that's the promise of habits.
I didn't execute to a tee. But my coach always told me if I went out there and did my own thing, it's OK as long as I win.
I'm always just waiting for someone to cut me off; I'm a chatty guy.
For me, I always like to get up bright and early.
I was always the shame of the family - the one Yankee who was actually born in the North.
I'm always getting confused with LeBron James. Everywhere I go, I'm LeBron James.
The historical Woodrow Wilson suffered from numerous complaints which we might today label as psychosomatic. Yet, Wilson did have a stroke as a relatively young man of 39 and seemed always to be ill. He was 'high-strung' - intensely neurotic - yet a charismatic personality nonetheless.
I'm Irish, so I'm messing all the time. Which means, I'm having a laugh. I'm always making jokes.
Looking feminine is important to me. My personal style is fairly traditional. I was definitely influenced by my mother, who always looks elegant, and by Estee's classic style; she was always in Givenchy or Ungaro.
I remember watching Barry Sanders highlights as a kid, and the Lions always being a fun team. I, personally, really never had a real negative connotation with the team. And I didn't really listen to those who did after I was drafted.
I always wanted to be Gene Hackman and I always wanted to be, you know... I wanted to be one of these guys. I always wanted to be Bob Duvall.
I'm a union guy; I've always been. I've been in SAG 35 years; my father was a garbage man, a sanitation man, for the city, a union guy.
I passionately hate the idea of being with it; I think an artist has always to be out of step with his time.
People have always searched for answers. That's why we have religion; people have always been seeking some relief from their own mortality.
The Olympics were produced absolutely the same way from 1960 through 1988. It was always the Western World against the Eastern Bloc. You didn't even have to spend one second developing the character of any of the Eastern Bloc athletes. It was just good guys and bad guys.
I've always had an uneasy relationship with technology and how it insinuates itself into our lives: for example. I always prefer talking face-to-face with friends than texting or calling, and if I want to get updates on their lives, I don't go to Facebook but meet them in person.
I always make a joke that they transplanted Martina McBride's eyes and put them in my head.
There is something about the stage that makes it so much better than being in the studio. I always connect with my audience; a concert to me is a collaboration between me and the audience, and I love it so much.
I think I do have a way of predicting - not always accurately - what is a nerve-wracking day for actors, what may be a difficult scene or a difficult moment, how small - and it may be down to one line - a thing maybe that is upsetting or undermining a performance.
Women's bodies have always been used as a spectacle and objectified.
I want my kids to be in an environment where they can talk about values in a way that you can't always do in a public school setting.
I guess, at the beginning of any project, I always have the same hope, which is that it's going to be wildly successful and critically acclaimed, and it'll be a major thing.
I love 'Richard III,' but in terms of a general play, 'A Midsummer Night's Dream' has always been a big one for me. It's just so sexy.
I've always been interested in animal behavior, and I keep reading about it because it's so surprising all the time - so many things are happening around us that we neglect to look at. Part of the passion I have for biology is based on this wonderment.
What I've always thought I would do is make a bunch of movies and then stop to teach for awhile. And then just teach at film schools - you know, teach children.
You will learn more from your failures than your successes - so embrace those mistakes, as difficult as that sounds, and grow from them. When a project is successful, you're never really sure why, because so many elements come into play. However, when you fail, you always know why. That is how you learn and grow.
I watched, for the 17th and hopefully the last time, The 'Guns of Navarone' on New Year's Eve. I always watch just in case the explosives don't go off in the end. You have to watch the end, just to make sure it's OK.
I've always had loads of teddy bears.
