I admit there's an element of brutality in all my work - it's part of the truth about human existence I always want to explore - but the last thing I'm trying to do is put on some kind of freak show, inviting people to get off on other people's pain and humiliation.
Bios are always so dull and boring.
Everybody always talks about the pressure of playing at Wimbledon, how tough it is, but the people watching make it so much easier to play.
When we come to images or memories or thoughts, speculation, while always closely related to practice, is more explicit, and it is in fact not immediately obvious that such processes can be described in any sense as practical.
As a writer, I've always been interested in others.
I always want to tell the truth. It doesn't have to be a pretty truth, and it doesn't have to be a life-changing and life-threatening truth like 'Chi-Raq.' But I want to tell someone's truth in an effort to inspire people to see themselves reflected on the screen.
It's always dangerous to prescribe an idea on other people.
Our difficulties of the moment must always be dealt with somehow, but our permanent difficulties are difficulties of every moment.
The best comfort food will always be greens, cornbread, and fried chicken.
But for me, my personal relations, my personal family relations, are very important, and we've always tried to make sure that the public and the private are kept separate.
I'd go fishing and always pretend I would catch the biggest fish. I'd stay out there for hours after everybody else left until I caught something. When I shot baskets, I was always the coach and star player and always made the winning shot.
Never hurry. Take plenty of exercise. Always be cheerful. Take all the sleep you need. You may expect to be well.
This is very interesting because the Liberal Party of Canada, heading into an election, at the last minute they always stand up and they say: We know there's people out there that want to vote NDP and God love you.
I've always loved music, very simply, as a vehicle to express myself and that hasn't changed.
Ever since 'Lassie' and 'Old Yeller', I won't watch animal movies. Animals in movies always die.
I have always been a fan of Salvador Dali, but Amrita Sher-Gil, who was an Indian-Hungarian painter, is another favourite. She was painting Indian women, and, growing up here, I'd never seen anyone paint Indian women, so that was really incredible to see a painting of someone who looks like you. I think that has a lot of impact on you.
It's always good when you can bring two artists together who are totally different.
Obama's great asset has always been an ability to maintain his air of authority without being baritone about it. He can be boring, but he is never ridiculous or pompous.
Me and Kylie are sisters, but not everything we can always do together. She's not trying to be a model. She's trying to be more like a personality. We're trying to kind of separate ourselves - not in a bad way!
I've always liked being funny and making people laugh. I was a cut-up when I was a kid and was always doing bits for my friends and family. I remember doing pratfalls on the playground in fourth grade for my friend and really hurting my hip.
There's always some kind of blacklist throughout history. But the difference is, in America they usually let you live.
I take my craft seriously, of course, but I don't feel the need to always play a certain character or a certain part or persona. I'm not going to cut something out of my life because it's not 'my image.' I want to be open enough that if I love something, I can do it, and it will add to myself as an entertainer.
I am always drawn to men that are funny. I do not know why. But I am always drawn to people that are struggling with parts of themselves... But it's like in the end, there has to be confidence.
I come from a family of storytellers. Growing up, my father would make up these stories about how he and my mother met and fell in love, and my mother would tell me these elaborately visual stories of growing up as a kid in New York, and I was always so enrapt.
I always respect a woman.
I've always approached the game, going back to when I got drafted in 2012 to Denver, like I was going to be the starter. That's how you have to prepare, whether you are first string, second string or third string, because you never know when something is going to happen to the guy in front of you.
When I work with my art department on putting imagery together for my blog posts I always think, 'Would I pin this?' That really helps.
Everything I put my name to and take part in, I want to be good. That's not saying it will always happen. But I want to make bold choices.
We always knew Victoria was going into fashion, Mel C was going into music, Emma went into radio, and I wanted to do a bit of everything.
I've never understood musicians who don't enjoy doing promotional interviews. I just can't believe it. I always think, 'Your life must have been so brilliant before you were in a band.'
I knew that I tend to always gravitate to the indie side of things.
Your customers are always a bottomless well of surprises.
I've done my coaching badges, I've got my Pro Licence, but I enjoy what I'm doing now. I'm also the elite performance director of the Welsh FA. The main thing for me was always Liverpool Football Club and my country, Wales - and I'm lucky enough to still be involved with both of them.
I think people are always able to achieve more than they think they can. While that's cliche, I don't know if managers think about that enough. You have to set your sights extremely high.
Like, Mission Of Burma to me always sounded almost like they were part of the British Arty New Wave. I kind of like that. I like not being able to tell the difference.
Everything always interests me.
