I feel like Nick and I have the best relationship and the best marriage.
I feel it's important to talk about the complex issues affecting us.
Some days, I feel like I should win Best Mom of the Day award, and some days, I find myself doing strange things that don't have any real purpose, in faraway corners in my house, and I realize I am literally and deliberately hiding from my children.
I feel like, with drum programming, the way I used to do it, I'd think of how somebody would play these drum patterns and then try to replicate that through programming. It's not that it's better or worse, it's just a different style.
I feel like if you can describe something fully and accurately, then people will be able to see it themselves - they don't need be told what to.
I transcend earthly bounds. I never cease to amaze myself because I haven't yet found my limits. I am quite ready to accept the limits of what I can do, but every time I feel that way - boom! - God touches me and I do something that's even more stupendous than whatever I've done up to then.
I like recording by myself wherever I can, just because then I feel like I have ultimate freedom, and I can just control whatever I want to put down. There's something about going into your own little world.
I feel eager to learn as much as I can, not only about my craft but the world and the cosmos and how we got here and whether there's any purpose to our being here.
I feel, in 2015, when we see human beings and children dying to cross the ocean, trying to find safety, something more must be done to help them because refugees are just like me and you.
I don't want to compare myself to somebody like Fitzgerald or Hemingway, but I feel like, for some writers, going to a certain city, a certain place, is what kickstarts your imaginative process.
There is nothing I've been through in my life that I regret, or that I would go back and change. I feel like everything that happened - personally and professionally - I went through for a reason, and I learned from those things.
Every day it seems like something happens to assure me I'm in the right place, and that doing anything else would be wrong. I feel so incredibly blessed.
I feel like we have so much to add to this book called the American Dream, and I want to add our chapter to it. I want to talk about what it means to be brown American and this concept of what I feel is the New Brown America.
I've now met, I would say, almost every single one of my rock idols. I feel like I should just drive off a cliff now.
When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything.
I feel like every role you take, there's a part of you that obviously feels like you can do it. I don't know if perfect is the right word because I don't believe in perfection. I don't think it exists.
There are three kinds of people in this world: 1) People who make lists, 2) People who don't make lists, and 3) People who carve tiny Nativity scenes out of pecan hulls. I'm sorry, there isn't really a third category; it's just that a workable list needs a minimum of three items, I feel.
I'm in R&B/Soul, and I feel like all my music is R&B driven. Even some of the songs that are more rap have an R&B feel, so I'm with that.
I have played Blair Cramer for 20 years, I feel a personal investment in the success of 'One Life to Live.' I love the show, I'm a fan of the characters, and I have invested in the journey these fictional characters have traveled.
Every problem seems like a mountain to me, and when I'm fit, I feel like I can conquer anything. When the opposite happens, I go into a funk. A real, real funk.
I actually found 'We're the Millers' one of the toughest, if I'm honest, least fun experiences of my life, which is weird. It was such a huge opportunity for me to work with the people I worked with and I feel grateful to be a part of that, but it kind of messed me up.
Mothers have this huge influence, and I feel like they're always teaching us from the day we're born what to be afraid of, what to be cautious of, what we should like, and what we should look like.
I feel like I was in the last graduating class of commercial actors.
My mother wanted to be an actress. She wanted to follow her dreams, and she never really got a chance to do that. I feel like I'm following her dream in a way.
I think celebrity has become almost normalized. I feel like we all live our lives in a pale imitation of celebrity. With Facebook, we choose a photo that is not too good a photo - we're more arch than that. We're our own celebrity publicists. We understand it so innately.
It was a great time here in the States this year, and definitely I feel like I'm playing well again. I gained a lot of confidence in the last couple of weeks, and I just have to, you know, keep going and keep the momentum now.
I don't think that when I'm acting I feel like I lose myself to it, but that sense of losing, that sense of discomfort, well, I guess maybe that comes a bit! It's about redefining what 'uncomfortable' means for you.
Icon. What is an icon? When someone is iconic it means they have established a certain kind of legacy possibly, and I think it does come with time. It's something in the arts, I feel. Maybe not, maybe it doesn't have to be in the arts exactly. I'm not really sure. But I don't think you are born an icon.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
I'm going to put music out when I feel like it's ready.
Every backstory involves my father. I remember hearing Gary Oldman talking about backstories and saying, 'I got to stop using my father...' And I feel the same way. I don't know. What I come up with always involves some element of this son trying to prove himself to his father.
To be honest, my partner Natasha is my inspiration. She is who I reference when searching for my role. I don't emulate what she does, but her interpretation of Giselle is so fragile and sensitive and so tender. It constantly inspires me. And I feel like it's the other way around. We have a great rapport together.
The crowd intimidates me, its breath suffocates me. I feel paralyzed by its curious look, and the unknown faces make me dumb.
If I compared myself to my kids, they know everything, and they're like small little hackers. I feel also that my identity can be stolen; I'm very paranoid about it compared to other people in the younger generation.
'Mercy,' I love conceptually because I feel like you can either think about it as if it were a girl - which it sounds like it could be about a girl - but I like to picture it as 'pleading for mercy for my career' type of thing.
The most special Slam is Wimbledon, of course. But where I feel the best is Melbourne. And you're happy that you're playing. When you get to the middle of the season, everything is week after week, and it's all routine. But when it's Melbourne in January, you are fresh and you want to play. It's nice.
