The process of creation goes on all the time. When I get through, I feel I know what the character will do in every situation. But the building up of the part is not mechanical or deliberate. It grows out of the text.
I feel like I'm a drag queen.
I'll leave a store if I hate the music. If it's just, like, techno, I feel like my brain is going to explode.
I want to be alone and work until the day my heads hits the drawing table and I'm dead. Kaput. I feel very much like I want to be with my brother and sister again. They're nowhere. I know they're nowhere and they don't exist, but if nowhere means that's where they are, that's where I want to be.
A small venue is so much more intimate and loose. You can actually be more spontaneous, I feel.
I feel so lucky to have both a son and a daughter, because there's a different relationship with each of them.
I know the music industry is based on a lot of smoke and mirrors in a lot of cases, such as making things look like one thing versus what it actually is. I feel like I've been here long enough that I've surpassed the need for any of that.
The day I feel like I can't contribute to the team's success, that's the day I am going to call it quits.
At synods, I usually wait about a week before I speak. First I listen. I feel the temperature. I listen to what has been said, what has not been said, and what I think needs to be said at that point.
I feel that I have such an abundance in my life, and once you've seen how many people suffer and how little it takes for you to actually change their lives for the better, it's hard not to do something.
Southern food certainly carries a stereotype, but I feel like that's turning around a little. There are great Southern chefs who are finding ways to showcase our traditional recipes in deliciously healthy ways. For me, the key is to use fresh fruits and vegetables and cut some of the butter and fat without sacrificing the yumminess of the dish.
I have fun going on Twitter and the Internet. I feel safe and comfortable, and I wish everyone could feel that way.
I think, for an actor, the whole world is a place of work because if you focus on characters and on stories, they are everywhere, so yeah, I feel very privileged to have had this great opportunities in the international cinema and especially in the American cinema.
I think the '60s were an extraordinary time. I feel bad for the kids today who missed this wonderful confluence, which was simultaneously a confluence of the global and the mythological.
I do turn down things that I feel aren't right for me, like when it's some kind of adolescent thing that might typecast me, but I'm not worried about it.
I see film roles as lovely presents that come along now and again. I feel really lucky and say thank you very much. And if they fly me to L.A., I think, 'God, I must really be doing well.' I've worked with De Niro and Brando and Pacino, and that's made me feel very lucky. But the films have never meant a lot to me.
There's no better satisfaction than writing. I feel that writing is the best and everything else comes with it.
I mean, I feel like just a new person completely.
I really believe in not compromising your art. I feel like I've never compromised my art.
Before Charlottesville, it might have been easy to dismiss the plot of 'Mudbound' as no longer relevant. Now, I feel like audiences will be more receptive to the material - and to interrogating their personal histories after watching it.
We're passing on something of ourselves to others. I feel that's what makes our life full of meaning. It's hard to have meaning in a closet, encapsulated by nothing. I think you really have to expand yourself and your life and do what you can for other people.
Caution is the key to safe cycling. I'm aware that cars are bigger than me, but I feel quite safe. I'm in control, liberated and free, when I'm on my bike.
I wake up every morning and I feel like I'm juggling glass balls. I live in Los Angeles, my business is run out of London, and most evenings I'm cuddled up in front of Skype, in my dressing gown, speaking with my studio in London. I travel a lot, my team travel a lot, but I wouldn't have it any other way.
I feel that its important for me to be out there and to represent the face. At the same time, for me as an individual, I think the Asian-American face can be crowded with the American identity.
I was overwhelmed by so many interviewers and then messages of congratulations. So many congratulation messages. I feel this shows the authority and the greatness of the Nobel Prize.
I feel there is a curse on rock stars.
I feel that if you are blessed, or lucky enough, to be doing well, you should help others.
Usually, someone who's in a show gets me a ticket. I feel cornered. I can't walk out if I don't like it.
Sometimes I feel like I'm lacking a playfulness. I envy guys who are consistently able to maintain a playful, optimistic perspective on things.
I'd love to give my music to someone who really likes to wow the crowd. I feel like half the time I just want to hide in the dressing room!
I feel a special connection to Haiti and the Haitian people.
Sometimes when we label something dystopian fiction, I feel like we're trying very hard not to use the words 'science fiction,' because science fiction has those horrible connotations of rocket ships and bodacious babes.
When I'm really purring it, I feel as if my whole left side - from knee to hip to shoulder - is turning behind me as I swing through the ball.
I've dedicated my life to public service, and I feel it's still a noble profession. However, I also understand it's a contact sport.
I feel as though we're living in a time where there is very little distinction paid between the personal and the professional.
I feel it is now my duty to speak to young women, to encourage them to have careers and, particularly, careers in science.
