I remember, after graduating high school, I got a part in a play with the Washington Shakespeare Festival - a little part. But I remember thinking this would be a great way of making a living... to be an actor. I never really thought I'd make a lot of money at it.
I like making people feel things. Acting doesn't seem like lying but like storytelling.
At the very end of a book I can manage to work for longer stretches, but mostly, making stuff up for three hours, that's enough. I can't do any more. At the end of the day I might tinker with my morning's work and maybe write some again. But I think three hours is fine.
I think I have broken the mould that actresses have to be extremely thin on screen. All those who are making my weight an issue just prove that people are jealous. These are people who have nothing to do in life except to stare at their computer screens and make comments on us.
My girls are great at making fun of Dad. They're never impressed with anything I do. I love that. I hope that never changes.
My parents have always been very concerned of making sure we know who we are and where we come from. I have to give them credit for that. Knowing your roots is quite important.
I would like the thrill of making a new project every time.
I think the idea is to try and understand everything about the characters and where the character is coming from, from their point of view, why they say what they do. And not, 'Oh, but I would never say that. Why does the character say that?' But then making it as personal as possible.
For me, making music is a continuous learning experience, and I think that it feeds itself.
The real, raw, driven-to-tears type scenes have always scared me since I was very young working as an actor. And to this very day, I get tremendously neurotic making sure nothing is forced or fake.
I know nothing about making a movie.
I've never been the straight rapper that is going to stand in a cipher and battle all day. I started off battle rapping, but to me, making songs became more important than freestyles... I've met many rappers who can freestyle but can't make a record.
The only thing that's ever made sense to me has been sitting in the house by myself making music.
Life isn't about algebra and geometry. Learning by making mistakes and not duplicating them is what life is about.
I went to Dartmouth College, graduated, and had the opportunity to play two professional sports - I played for the New England Patriots in the NFL and professional lacrosse for the Boston Blazers. I had an injury, so I had to stop so I could heal. But when I was playing football, I wasn't making a lot of money; I wasn't a superstar.
Latinos are concerned about the same pocketbook issues that matter to most middle class Americans - creating good-paying jobs in this country, making sure our children get a quality education, and ensuring that our families have access to affordable and quality healthcare.
I think the way I sort of approach it is, you just sort of keep your head down and focus on what you are doing and making shows that people will want to see on Thursday night.
A theatre is not a blank page for editorial, it is not a soapbox or a Tannoy system: it is a conscience that wakes with what is happening in the space, and wakes further still in response to what people are making of it.
Take it from me: I really love making things up, which is why I write fiction for a living.
With every story that TV covers, somebody - some corporation, some shareholders - are making money. That's true whether covering Libya, Iraq, the tsunami in Japan, Osama bin Laden, whatever story there is. That day, the shareholders are making money off it. Every newspaper that's sold, somebody's making a dime.
When you are trying to express things with metaphors and much more subtlety, that's when you are doing yourself a disservice by making a video.
I love being a mommy, and I love being an artist, and I love being a singer and an actress and making a movie - all that stuff I feel very passionate about, so I have a lot of energy for it.
A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.
I had no confusion about making a superhero film. From the very day one, I knew I will make a movie of this genre which will have an Indian superhero. I never wanted to copy my superhero from any of the Hollywood ones.
Performing is a thing in itself, a distinct skill, different from making recordings. And for those who can do it, it's a way to make a living.
We've got teams and other countries have teams. Right now, we are going to their countries; we're finding the best athletes; we're bringing them to our team. We're training them, we're making them awesome, and sending them back to beat us. We've got to stop that.
A company has a greater responsibility than making money for its stockholders. We have a responsibility to our employees to recognize their dignity as human beings.
History is not a long series of centuries in which men did all the interesting/important things and women stayed home and twiddled their thumbs in between pushing out babies, making soup and dying in childbirth.
I always felt like what I was doing wasn't selling toys; I was making a happy sound at Christmas. When people hear something so familiar, it brings them back to a special place, and that's been meaningful for me.
There was an incident in Argentina when I was making a film called 'The Warrior and the Sorceress.' There were, like, 40, 50 sword fighters and martial artists on the set, and one of the sword fighters challenged me. I said, 'Look, you don't want to fight me. Nobody wants to fight me. You gotta be crazy to want to fight me.'
I love making stuff. There's a joy in having the first molecule of an idea, then testing it in front of audiences at secret shows that people only know about the day before. I videotape those, study them, enjoy being in the character and figuring out the movie.
Orson Welles's second 'I-did-it' should show once and for all that film making, radio and the stage are three different guys better kept separated. 'The Magnificent Ambersons' is one of those versions of the richest family in town during the good old days.
I spent my 20s making film after film, often in very adverse conditions. You'd fly back from somewhere - Beirut, the Falklands, South Africa - on Saturday, and you'd have 24 hours to cut your film, and it would go out on Monday night.
I used to tell my three younger siblings stories because that was my household chore, and I told long stories in installments because it was easier and more fun than making up a new story every night. I loved it.
That arrogance of youth and that kind of ignorant confidence can get you through a whole lot of things, and then life does its stuff, and you get smashed around and beaten up. You get full of doubts, and you end up making a person out of those bits and pieces.
You become the movie you are making.
