Zitat des Tages über Gutes Skript / Good Script:
If it's a good script I'll do it. And if it's a bad script, and they pay me enough, I'll do it.
I'm just a sucker for a good script.
A good script and a good brief from the director is enough to let me know what is expected of me.
I'd love to do a sci-fi movie, a western, or an espionage thriller. But I'm not going to limit myself. If a good script comes along, I'm not going to discount it because it doesn't fit into one of these genres.
I think that whenever there's a good script we try to make that happen, but it's all based off of a good story, a good script, but I don't believe you should do it just because it's African-American.
I wouldn't know a good script if it bit me in the face.
As far as I know, if you take your time, write a good script and make a good film, then give the audience time, they will accept it.
It is important to be financially savvy when you turn producer. As a director, you just need to have a good script in hand.
When you have a good script you're almost in more trouble than when you have a terrible script.
Well, I love TV, and I love a good script.
We thought we'd write a good script for women, giving them the fun roles that generally men get.
I don't want this big stardom thing. I just want a good script.
There are definitely reasons to do certain things, but I like to stick to good director, good actor, good script.
I'd love to see a good script of one of my books, in these years of animations and comic book sequels, and had so many written over the years, but none quite clicked.
I don't care about names attached to the script. That doesn't matter to me. All things being equal, I would like to work with a good script with a good director, and the part I play is of less important than those two factors.
When I was in New York, a lot of my friends were studying filmmaking and would bring their scripts to me, as I was a good script doctor. I would read their scripts and make corrections to them for $20 per script and was fascinated by films.
My friends, we all improvise together usually. So we write what I think is a good script but always leave a lot of room to find stuff on the day; and we always do find something. That's the advantage to having actors who are, in their own right, writers.
I've been working on the screen right from childhood and am completely in love with my work. And this experience has taught me that ultimately, it's a good script, good work that matters, whether in Bollywood or in the South.
At the same time, reading an action script... It makes me wonder. Was The Matrix a good script? I don't know.
Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.
Whenever I get a good script, I don't care whether it's telly or theatre or big screen - I'm not bothered.
I don't want to work just for the sake of working. Generally, if a good script comes in, I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character; it doesn't have to be a huge part.
When you get a good script, and the director gives you proper lines, half your job is done.
It's possible for me to make a bad movie out of a good script, but I can't make a good movie from a bad script.
I only sound intelligent when there's a good script writer around.
Well, there's no question that a good script is an absolutely essential, maybe the essential thing for a movie.
With a terrible script you hustle and try to make it better. But with a good script it can be trouble because you rest on your laurels, so to speak, you think it's going to translate easily.
If making movies was easier, there'd be a lot more good movies. So you kind of learn that if it's just a good script, or if it's just a good producer, that's not always enough. You need an entire team of creative people coming together.
Give me a good script, and I'll be a hundred times better as a director.
A good script is like a work of art in itself. I've read hundreds of scripts, and good ones are very rare. If the writer has something to say, and a voice, and a plot that matches character, and an emotional trajectory that works, then I'd be an idiot to fool around with it. It's just that few scripts ever are like that.
I'm a filmmaker; I want to make films. I don't want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make... of course, I have to write a good script, all that, but if I do my job, it will happen.
A good script makes our job a lot easier.
When there's a good script, everybody circles.
I try to steer away from doing something that's just commercial instead of sticking to a good script.
Stories matter to me. I look for a good script, story, and a strong part.
I like doing Marathi films. I am not too keen on Hindi TV shows. It's very tough to get Hindi films, but if a good script and role comes up in future, I will surely pick it up.