Whenever we do stuff with Die Antwoord, it's kind of like... I made a lot of music before this group that I'm kind of bored of and forgot about, and everything with Die Antwoord I really love. It's the first time I've made music where, even the first songs we made, I really adore all those songs, and I'm proud of them.
My weekends are spent hidden in the woods, and then I have to come back and pretend to be this very upper-crust insurance investigator. But, I mean, duality's nice. You never get bored. You can't say the grass is always greener if you're in both backyards.
One of my biggest problems is I get bored too easily, and I like to experiment too much, to the point where I confuse myself and I confuse my fans.
People who find that they have a lot of drama in their relationships need to allow themselves to get 'bored'. At first, it will feel excruciating, and they may find themselves confronting a very real fear underneath all that drama: being truly close and therefore vulnerable to another human being.
When you have an iPad and 75 books on it, it's so easy to go, 'I'm bored, I'm just going to read something else.'
I get a little sick of myself as a solo artist. I get a little bit bored.
Busy is good, you know. Busy is better than bored, and there's more recognition. Like, I try to feign the anonymity which I had before 'O.J.'
I like a good boy, but sometimes you get bored.
I always feel like I'm so boring, but I don't get bored with me.
I can be bought, but not bored.
As a reader, I have a very short attention span and a low tolerance for boredom, and I find that comes in handy with my writing. If I get bored writing something, I pity the people who will then try to read it.
In the end, my reasons for moving down the timeline and introducing a new cast have more to do with keeping myself entertained, on the assumption that if I get bored, my readers are going to be even more bored.
