There I was - 20 years old, living in Ireland, and I'd never heard the word 'venture capitalist.' But I'd said that I wanted a job that involved a lot of negotiation, a lot of yelling at people on the phone, and for it to be high-risk, high-reward.
I heard a lot in school, 'You've got a really great talent, but there's no way you're going to be a dancer with that body.'
I don't have great running technique, but I like to run. I've heard from countless people that the last six miles of the marathon is all mental. But what better city to have this in than New York City where there are millions of people there supporting you?
I haven't heard anything or seen anything out there that would lead me to believe that all of a sudden there's an unexpected drop in PCs.
I still assume that, any day, I'm going to be exposed as a fraud. That, like I once heard Gene Hackman say, the acting police are going to burst in and take away my card.
Just when you think you've heard it all from Team Obama, the next day brings another jaw-dropper.
Bud Johnson, God rest his soul of fame, a tenor saxophonist. Bud was always a big, big, big booster of mine and he always when I first met Bud in Pittsburgh when he came through there, he heard me sing and he wanted me to come to Chicago.
I didn't really hear any other music other than what my dad was working on until I was 12. My recollection of hearing other music was that I liked some things that I heard but I always thought, 'Where's the rest of it?' It didn't have the same amount of detail or instrumentation or imagination in the arrangements.
Creativity, for a lot of young people, is a coping mechanism. It's the only place they feel comfortable. It's the only time they feel like they're being heard or can make a difference, is if they can go into a room and do a drawing or go to a garage and play a song or retreat to this world.
I would say that we are living in an age that is increasingly spiritually blind and morally deaf. The man who does not shout is not going to be heard.
I think it is important not to scream from the rooftops to make yourself heard, I want my work to do the talking for me.
I joined Yes in July 1971. I had heard Yes live, as Strawbs had supported them at a gig in Hull. I thought they were amazing - incredibly different.
When I got my first guitar, I played along with everything I heard that had guitar in it, like the Ramones, Nirvana and Sublime, as well as whatever hip-hop and R&B stuff was on the radio.
Before I was 12 years old, I had no interest in music; I was just into football. Then I heard Don McLean's 'Vincent' come on at the end of an episode of 'The Simpsons.' You know when you hear something and you don't understand why you like it, you just do? That's how I felt. I just thought, 'I want to be able to write songs like that.'
When I was very young, I wanted to be a girl. I was jealous that girls got to be princesses and wear skirts. It tormented me. When I was 6, I even heard that you could change your sex, and I was very intrigued until the moment I realized that if I changed into a girl, I would be an ugly girl, and this is the last thing I wanted to be.
When you're not being heard - I can't tell you what to do when you're not being heard. I do think there is a way to move in love and get things done, though.
The doctor told me, 'You have breast cancer.' I heard the cancer part first - it was only later that I heard the breast part. I couldn't believe it.
When I visited Ireland with my father and heard the people on the farm talking, I couldn't believe the gift of language they had. I felt very untalented.
I knew I heard the doctor correctly. I didn't think he said something else, I didn't think for a second, 'Well maybe he didn't say it.' No, I knew I heard him! But I still couldn't comprehend... in my mind... in my soul... he just said, 'cancer.'
How many times have I heard people say, 'I became very ill a couple of years ago; it got very serious, and I look back and give thanks for how it changed me and the truth I found.'
When I heard the Pogues, I connected with the songs immediately, but it was also the first time I didn't reject out of hand the kind of music that my parents had always tried to push on to us when we were growing up.
I had never heard much about Nashville before coming out here, and that's why it's so surprising, because I'm the biggest enthusiast on the city of Nashville now. I'm looking for a place out here to live.
At nine years old, I was presented an opportunity to move to Toronto to train for pairs dancing. As soon as I heard that that's what it entailed, I was out of there. It's like a past life. I hung up my skates and never looked back.
Essentially, every technology you have ever heard of, where electrons move from here to there, has the potential to be revolutionized by the availability of molecular wires made up of carbon. Organic chemists will start building devices. Molecular electronics could become reality.
I was in a karaoke video in 1991, for a song called 'Sukiyaki,' which is a very famous Japanese song, and I've actually heard from people that they've been in bars in Asia where they've seen me come up in the 'Sukiyaki' video that they play behind you. I'm in that. I'm in a karaoke video.
I've had mixtapes that have been better than albums I've heard from other artists. I take my time; I put my heart into it.
More and more people are finally realizing that in the heart of America, there's all this incredible music that wasn't widely heard before because it wasn't in the interest of those who feel they have to control the taste of the wider public.
I was 10 years old when I first heard Ginuwine. I remember being at a friend's house, and the music video came on. I was just like, 'What is that?' I was just kind of drawn from there.
With The Fugees initially, and even with 'Miseducation', it was very hip-hop - always a singing over beats. I don't think people have really heard me sing out. So if I do record again, perhaps it will have an expanded context. Where people can hear a bit more.
I'd heard Joyce Grenfell on the radio, and when Mum gave me a book of her comic routines, I just loved it. Me and my sister shared a bedroom, and every night I'd drive her mad with my version of 'George, Don't Do That' about people we knew at school.
I was introduced to the Turducken in New Orleans. And it wasn't Thanksgiving. Glenn at the Gourmet Butcher Block brought it by, and I had never heard of it or had seen one, and they put it in the booth, and it smelled so good that I had to taste it. And it was good. Then Thanksgiving came, and we got one in addition to the traditional turkey.
I was driving my 1959 Chevy Impala down King's Highway in Brooklyn with the top down, and I heard 'Oh! Carol' on three stations at the same time while I was channel surfing. I knew then that I made it.
'This guy's a clown! He's just all talk!' I've heard that many times in my career. And then they're sleeping in the middle of the octagon.
Yeats regarded his work as the close of an epoch, and the least of his later lyrics brings the sense of a great occasion. English critics have tried to claim him for their tradition, but, heard closely, his later music has that tremulous lyrical undertone which can be found in the Anglo-Irish eloquence of the eighteenth century.
You may have heard the world is made up of atoms and molecules, but it's really made up of stories. When you sit with an individual that's been here, you can give quantitative data a qualitative overlay.
Some people have heard of The Method, which originally goes back to Stanislavski... he gave you six major pointers whereby you became that character and tried to fool your mind psychologically. That's it in a nutshell. Daniel Day Lewis is an example of somebody like that who stays in character between takes.
