I always feel like I'm missing out on something, that someone is having more fun than I am, so I take measures to make sure that is impossible.
That made me feel good, not to go to a resort where outside the door is extreme poverty.
I've always thought of myself as an organic writer, rather than a cerebral one. I feel my way along as I go, hoping I'll get to the place I intend to reach.
You don't feel old when you get old.
I'm okay. Nobody's bothering me. Everyone's very kind, and very polite. I don't feel like my whole life changed.
I feel angry that I can't be hypnotized. I'm not putting it down, and I'm not saying that it doesn't exist. I have talked to a great many people who are very good at it, but so far nobody has ever been able to hypnotize me.
You don't get there the easy way. If you feel sorry for yourself, and you let yourself go down, you will drown.
When they see those fourteen lights, they're looking at a miracle. And deep down, they feel that whatever's going to happen, there will be someone there to help them. And that fills them with hope.
I've always liked New York, as I like towns with an edge and New York has a European feel, so when I came to play music here in the '80s it was a surprise to me.
It's so very important as to what a child watches on TV. I feel for every parent that knows this, and cares, because they only have control of the child's viewing to a certain point.
When people talk of the economy being strong, they don't seem to feel that they, too, are better off.
You put something you like on really loud, and you feel godlike.
A lot of my poems either have historical sequences or other kinds of chronological grids where I'm locating myself in time. I like to feel oriented, and I like to orient the reader at the beginning of a poem.
Even on your hiatus, you feel like you need to keep the character in the back of your brain.
Well, probably having to be away from home. When I come back I kind of feel like there's a routine going on that I'm not a part of, so that can be difficult.
I like to write when I feel spiteful. It is like having a good sneeze.
When you feel your family is being threatened and hurt, you speak up. And then you put your head down and go back about your business.
We need to be able to go to school and feel safe and accepted for who we are.
Success was always critical to me. What it meant was winning enough praise and external admiration that I could feel myself to be a logical extension of my Uncle Alex, Uncle Zoli, and my father, in that order.
Great discoveries and improvements invariably involve the cooperation of many minds. I may be given credit for having blazed the trail, but when I look at the subsequent developments I feel the credit is due to others rather than to myself.
I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
If people would write exactly what I wanted to read I wouldn't feel so compelled to write myself.
The best argument for teaching poetry is to put a three-year-old or a four-year-old and read Dr. Seuss, or Robert Louis Stevenson, and to feel how the child and you are engaging in something that's really basic to the animal, which is passing on in these rhythmic ways, something that came from somewhere.
I feel lucky that I found my talent, not unlucky that I was born with a disability. When I'm on a horse, I'm more worried about what the riding hat is doing to my hair than what my bent legs and arms are doing. What riding has given me is respect.
I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
I love to sit, to watch people; even in New York, I don't feel as free as in London.
Because I've always been a runner I love to feel that my body is shining on the inside. I wear baggy clothes, so it's not as though I like showing it off. I just like to know I'm great on the inside.
I have a very ostrich mentality. I feel like I have my head in the sand so no one can see me.
I've had self-esteem issues for a really, really long time. Plenty of people think I'm ugly, and plenty of people don't. But there's a moment when I'm modeling where I forget about my self-esteem issues and focus on what the photographer's telling me - and I feel pretty. And in that sense, it's selfish.
Real luxury is a balance between quality and the affection you feel for an object that cannot be easily replicated.
As human beings, we need to know that we are not alone, that we are not crazy or completely out of our minds, that there are other people out there who feel as we do, live as we do, love as we do, who are like us.
There was a point where I was making four movies a year. I was always on a set. I had no stories to tell. I was feeling empty. My life was just luggage and hotels and from set to set, from character to character. And one day, I said, 'And where is mine?' You know? And the moment I started to feel that fear, I stopped and I slowed down.
If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars.
I'm not a religious person in the regular sense, but in the Bible you're not allowed to steal, you're not allowed to lie and you're not allowed to feel you're above other people.
I feel like my place in this industry is still progressing.
Being in the beauty industry has taught me that most of us are never satisfied with how we look. We all wish we had better hair, could lose that last 10 pounds, or look like someone else. I always see the beauty in the clients that have sat in my chair, and I've tried to help them see it, too, and feel good about themselves.
