The 1990s felt like the 1990s in a real and good way.
I grew up in Doncaster and have felt the love for football run through the town; it's for that reason that I have a real personal passion to make Doncaster Rovers a success story.
Dance music is an emotional journey. It's how well you can make people feel something that they haven't felt.
I felt very comfortable about myself when I was much heavier. I feel much better about myself from being fit.
I was a pop freak. I love music. Of course, I knew soul because I grew up in it. Writing it and everything. I love soul. But I love a tune that has some meat in it. Something I could hang my hat on. Because music is universal. Therefore, I felt no boundaries.
I know I didn't want to get caught up in the cycle of drugs and violence that was around me. Deep down inside, I felt there was something better outside the situation I was in.
When the Americans were trying to conquer the Navajos, they felt this need to capture Canyon de Chelly like it was the Navajo capital. It was a meeting place and a sanctuary of last refuge. To control Canyon de Chelly was to control the Navajo people.
At the very beginning of my career I felt very strongly about what type of artist I wanted to be.
I think I lived those years very impersonally. It was almost as though I had erected someone outside myself who was the president's wife. I was lost somewhere deep down inside myself. That is the way I felt and worked until I left the White House.
I felt like, 'How do I fit in?' But then I never fit in. The whole time, I've never fit in.
I think with my journey so far, it never felt like an overwhelming, overnight success story. I think that's good for me because I really got to take my time.
Before I was working professionally, I would do YouTube covers. But as a creative person, it was really hard for me when I wasn't releasing my own music. That felt unnatural to me.
You could tell 'The Handmaid's Tale' from a male point of view. People have mistakenly felt that the women are oppressed, but power tends to organise itself in a pyramid. I could pick a male narrator from somewhere in that pyramid. It would interesting.
I felt it was really, really important, not just in the vein of feminist erasure or whatever but also just as an artist that I honored my work.
In the little world in which children have their existence, whosoever brings them up, there is nothing so finely perceived and so finely felt, as injustice.
The most pressure I felt was for the first 'Paranormal Activity,' because when it was released, whether it was going to be a hit or not, I knew it was going to be a life-altering event for me.
I read John Irving's novel 'The World According To Garp' when I was about 14 or 15. It was the first grown-up book that I had read. It is the story of a young man who grows up to be a novelist. I finished it, and I wanted to write a book that made the reader feel the way I felt at the end of that, which was sort of both bereft and elated.
Training with Bela and Marta Karolyi took the joy out of the Olympics for me. I look back and feel there was a lot of verbal and physical abuse. For years, I felt it was my problem.
When I started studying acting in New York, I didn't plan to be an action hero. I just wanted to learn acting because I felt it was something I needed to try to do for myself, to express something, my inner pain, or something I couldn't get out.
My age has so little to do with my image of myself because at a certain point, the number just didn't fit how I felt. It has become irrelevant to me. I just don't feel like that number is representative of my spirit, of my energy or my anything!
I have never felt out of place in my entire life. But I did at Yale.
I went through a phase where people would introduce me at parties as a cartoonist, and everybody felt sorry for me. 'Oh, Matt's a cartoonist.' Then people further feeling sorry for me would ask me to draw Garfield. Because I'm a cartoonist, draw Snoopy or Garfield or something.
If public figures came out of the closet, then the LGBT kids who saw them on TV would feel safe before they even knew why they felt dangerous. Maybe if enough people came out of the closet, gay kids would never feel dangerous. Maybe we could have a world where we could all just live. We may not all agree, but why can't we just all live?
I was trying to learn how to deal with the freedom that I had away from home for the first time. 'Long Black Train,' the song and the album, are very special to me. It was just one of those things that I felt like God gave to me for a purpose, and I've been out here promoting that purpose.
If I saw 'Virgin Suicides' or 'Eternal Sunshine,' I'm so proud to be in those movies. They are such great movies. I felt so free on those sets.
I really believed Obama when he spoke in 2008, but I remember watching his victory speech after this last election and it was the same speech. Exactly the same speech. I felt like he didn't even believe it anymore. He seemed to be tired of saying the same thing.
Early on, I played a Chinese delivery person, and even that, which was very innocuous, felt like I was somehow betraying myself. I felt very self-conscious on set doing that role, with a crew that was almost entirely white.
When I was growing up, I felt like I had to qualify it and say I'm British-Pakistani. But now I kind of feel like, in this day in age, this is what British looks like. It looks like me; it looks like Idris Elba, and hopefully through Nasir Khan, people will see that that's what an American can look like as well.
I grew up on a farm and didn't have connections, and I had a dream that I believed in, and I felt passionate about it, so if I can instill hope into somebody too with the film, that's what I most want.
And right away as soon as I started doing Pilates, about 2 to 3 weeks into it I could tell that my clothes were already fitting differently. And I felt stronger than ever. My core felt tighter than ever.
It may seem strange, but the most grateful I've ever felt was when I was held up at gunpoint. After I handed over my wallet and the mugger ran off into the woods, I thought, 'Thank you for not shooting me.' I was overwhelmingly glad to be alive and unharmed.
Some people say they feel very small when they think about space. I felt more expansive, very connected to the universe.
All the time, I've felt that life is a wager and that I probably was getting more out of leading a bohemian existence as a writer than I would have if I didn't.
I never felt like a boy or a girl, never felt I should wear this or dress like that. I think that's where that confidence comes from because I never felt I had to play a part in my life. I just always come as Shamir.
I started working at a soup kitchen in skid row of Los Angeles when I was 13 years old, and the first day, I felt really scared. I was young, and it was rough and raw down there, and though I was with a great volunteer group, I just felt overwhelmed.
After studying the subject for years, watching countless YouTube videos of Scientology handlers filming critics and journalists, it felt amazing to be on the receiving end myself: I felt like I'd been blooded.