Sure, I've felt racism. I think everybody has prejudice. When I was growing up, the dark Mexican kids weren't allowed in the public swimming pool in Dallas. My light-skinned friend got in, and he laughed at us. It didn't seem like a big deal, because we didn't know any different. So I never ran into anything that actually scarred me.
We are a very close family, and I love them very much, but I'm definitely the odd one out. I live a completely different kind of life style. I always was different. I felt like a fish out of water; I really never knew who I was.
When I got sober, I really felt like there was something that was missing from my life, Buddhism is something that I practice.
I was spoiled growing up in the 1970s because magazines were publishing the photographs of Helmut Newton and Guy Bourdin without compromise. You really felt that sense of freedom through their images.
Fifth Harmony is an entity or identity outside all of us, and I don't think anybody felt individually represented by the sound - we didn't make it.
When I had my first experiences of choral singing, the dissonance of those close harmonies was so exquisite that I would giggle or I would tear up, and I felt it in a physical way.
In June 2002, I had just finished 'Laurel Canyon' and decided to move back to Los Angeles after nearly a decade in New York. Post-9/11 New York felt different.
Mr. Trump of course feels sorry for what the Khan family has gone through, just, frankly, as he felt sorry for the victims that spoke before the Republican Convention who lost loved ones from illegal immigrant criminals coming in and being able to travel the country freely.
As I've gone along, I felt like I was discovering an aspect of my voice that I didn't know was there: an ability to interpret a song in a way that makes it more accessible.
I was standing onstage last year, and I felt like I wanted to be somewhere else. No matter how many people were out there, it all just felt like a blank sheet of paper.
I felt in a lot of instances I was deliberately being put through stress because when you're a guy who generates money, people have a vested interested in controlling you.
I never felt like someone who was boyish and coming to terms with asking girls out or anything like that, which was what 'The Big Steal' and 'Spotswood' were about. But I guess that's the impression I left on people.
To create and do something no one else has done before - that feeling beats anything else I've felt.
Every week when my batch of weekly cartoons would go to FedEx, it felt like a small miracle. Then in a few days, it's 'Here we go again.'
I've always felt that some of my best lyrics are less than three minutes long, and it's great when you can do that - be succinct and get the message across in a simple, clear idea.
With 'Outlander,' definitely the book fans were at the door, ready to go, as soon as we started. But it felt like it kind of crossed over into more of a general audience rapidly. That did surprise me - I thought it would take longer for general audiences to come around.
I've never really had a fear of heights; in fact, I love being up high, so hanging from wires high above everyone's head has always sort of felt natural for me.
For the last 10 years, I've felt increasing pressure to stop shooting film and start shooting video, but I've never understood why. It's cheaper to work on film, it's far better looking, it's the technology that's been known and understood for a hundred years, and it's extremely reliable.
I went through a low phase for two years when I had a string of flops. At that time, I even felt that I was in the wrong profession and that I should leave acting. But thankfully, I utilised that time to introspect and went on a self-exploration trip. I did theatre in between, and it helped grow the fire within me.
My father was a man who didn't consider himself learned. He was a man who liked to be a farmer. He enjoyed his dairy farm and felt the calling. So there was a dedication. I was dedicated as a child to the service of God, and so there was this continual centering of a greater purpose than your own.
Telling Alan Turing's story in a two-hour film was a tremendous challenge. It felt in some small way like our filmmaking version of breaking the enigma code.
In 1979, I moved to England and photographed Joy Division and Bowie and Beefheart. At that time I got images that I felt had that special, well - power is a big word to say - more like intimacy and ambition that outlasted the photo shoot. I felt that they would have a longer life.
Generally, I liked feeling able to connect with millions of women on a very deep level. It felt special that women especially would cut out my strip and place it on a refrigerator.
I was five years old; I got addicted to being on stage. I felt like it was the most wonderful place on Earth, performing in front of an audience, who in this case were a bunch of classmates, kids my age.
As a kid, looking at Michael Jackson, Marvin Gaye, New Edition, the Temptations, Motown, people who I felt were huge artists, they made me wanna do something.
I've heard other gay people say when they were growing up they felt 'foreign.' Growing up, I was able to label these feelings as: 'I'm a Protestant.' It wasn't until I left, I thought: 'Oh, those weren't Protestant feelings.'
I was such a wallflower in high school. I did a lot of extracurricular theatre shows, but at school, I spent a lot of time by myself. I ate lunch by myself, and I was always okay with it. But I was definitely made fun of, and I always felt like an outsider.
Upon graduation, I hit a wall. All of my good friends from UCLA were taking on jobs they were passionate about, and I felt left behind. It took a bit of soul searching, but in the end, I finally had the guts to pursue acting.
I felt like my favorite writers have almost musical hooks in their work, whether it's poetry or a hook at the end of a chapter that makes you want to read the next one. And I think that my favorite writers definitely have something musical about what they do, in saying something so relatable and universal and so simple.
New York is about as cosmopolitan as it gets. It's a fairly mixed and woke town, so there weren't a lot of situations growing up where I felt like the outsider or the alien.
My father was a research scientist in tropical medicine, so I always assumed I would be a scientist, too. I felt that medicine was too vague and inexact, so I chose physics.
I always had this desire to be an entrepreneur, except I felt I didn't really know what I was doing.
I felt like the country lays out like a pretty beautiful story itself, heading from the East Coast to West.
I felt like an ugly duckling back in school. I was a complete tomboy with short hair. Never in my dreams did I imagine that I would walk the ramp with 6-inch heels. My friends can't believe that I'm an actor, because I was such an introvert in school.
That's the great thing about 'The West Wing:' you really felt like you were in the thick of it.
I have always given money away. I haven't always been wealthy - the opposite, in fact. But I have always felt that I wanted people to share it with me.
