The problem of direct colour photography has been facing us since the turn of the last century.
For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.
I always thought of photography as a naughty thing to do - that was one of my favorite things about it, and when I first did it, I felt very perverse.
People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.
Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.
The clue to book jacket photography is to look friendly and approachable, but not too glamorous.
Born Berlin 1931, Germany, father a British diplomat, mother an American artist. Educated at various schools all over the world. 1958 Settled down to live in London. 1966 Became interested in photography through photographing my young children. No formal training.
Photography is still a very new medium and everything must be tried and dare.
Editorial photography has to be energetic and visually competitive.
Those involved in the program are interested in how to use photography, videos, the Internet, film, and anything related to communications and transmission of information in the most up-to-date modern ways.
When you first start photographing a show or being into photography, you might think it's cool to see people with their phones, like, 'It's so novel; everyone cares about this moment so much,' but then it becomes... trite, y'know, and shallow. I think the best moments of my life have been spent without phones.
When I got to NYU, I immediately inquired about doing a double major in acting and photography.
I don't think that digital photography is romantic yet. It's not sympathetic the way that film is.
I love photography. My boyfriend's got a great camera, which I bought for his birthday.
In my teens I was interested in photography. Then I decided that I should learn something about the world of commerce. And I came to America at age 17 to escape Europe. I went to NYU - nothing better than being 17 years old and coming to New York.
He was a very generous soul and was exceptionally dedicated to the medium of photography.
You know, my parents have always been incredibly supportive. I'm an only child, so we're very close. There's just the three of us. They're exceptional parents but also great friends. My father was able to take his hobby, photography, and turn it into a beautiful career. So when they saw how much I loved acting, they were 100 percent behind me.
The only advantage of the CD is that you have a booklet that can tell a bit of a story, but the little covers are just boring. I love vinyl, and I have loads of it. It's the same thing as digital photography versus film photography. It's a quality thing.
A lot of people want to make films and do photography and things, but I'm quite happy doing what I'm doing.
Growing up, I didn't give my grandfather's photography a second thought. I wasn't involved in his work, except that I helped my dad print his negatives.
Now, my knowledge of photography was terribly limited.
Does not the very word 'creative' mean to build, to initiate, to give out, to act - rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life - not death.
Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
Computer photography won't be photography as we know it. I think photography will always be chemical.
People don't have time to wait for somebody to paint their portraits anymore. The money is in photography.
I have very interesting hobbies like archeology and photography.
When I first became interested in photography, I thought it was the whole cheese. My idea was to have it recognized as one of the fine arts. Today I don't give a hoot in hell about that. The mission of photography is to explain man to man and each man to himself.
In my photography, color and composition are inseparable. I see in color.
Your photography is a record of your living, for anyone who really sees.
Videos are more like photography. It's not as much about trying to tell a story as it is creating images.
I never really learned photography.
I became involved in photography when I was about thirteen years old.
Photography, as we all know, is not real at all. It is an illusion of reality with which we create our own private world.
I don't think there's any such thing as teaching people photography, other than influencing them a little. People have to be their own learners. They have to have a certain talent.
I began drawing as a very young child and had a grandfather who experimented with photography, so those things constituted my first exposure to art.
It's the rejection that is hard. It's not the interviewing that's hard. It's not the photography that's hard. It's, you know, approaching people all day long and having a good portion of those people reject you and some of them be rude.
