How do you observe something you can't see? This is the basic question of somebody who's interested in finding and studying black holes. Because black holes are objects whose pull of gravity is so intense that nothing can escape it, not even light, so you can't see it directly.
The popularity of fantasy surpassing science fiction and the popularity of apocalyptic fiction, particularly for young adults, may indicate a desire to escape a more difficult and confusing reality, even in astrophysics and particle physics.
For some, being involved in a scene is a great thing because the social element can drive creativity. For me, though, it's never really been like that. It's the opposite. I've always had this instinct to escape.
As a young boy in Libya, it was hard to escape the conclusion that the women were the most feeling and most functional part of society.
Certainly, those of us in the entertainment industry, we are part of creating fear in people - 'fear' for me stands for 'false evidence appearing real.' We create fantasy, and in certain ways that's wonderful because it allows people to escape. But it can suck people into wanting to achieve something that isn't real.
I do everything I think possible or acceptable to escape from this trap.
I was obsessed with movies, and it ended up being the tool with which I could make friends. Because I was too painfully shy in other circumstances, I would say, 'Hey, do you want to make a movie?' And that's how I made friends, and it was also my escape.
Sometimes a malfunctioning test setup actually gives the tested system a chance to show what it can do in an unrehearsed emergency. During a test of an Apollo escape system in the 1960s, the escape system successfully got the capsule clear of a malfunctioning test rocket.
Calvin had finally taken a look at the ET tape, and he had reacted just as she had expected he would. He loved it; he loved me. Suddenly he was thinking of me for everything: underwear, jeans, suits, even the Escape fragrance campaign.
Detroit is really a model for how wealthier and whiter Americans escape the costs of public goods they'd otherwise share with poorer and darker Americans.
That's what I always hoped for when I became an actor - that you would do something that people can escape to, find identification with and excitement in and be able to talk about it in bars, restaurants, and workplaces.
I just find it fascinating, like everybody, to be in a different life. It's an escape.
My father passed away when I was 12, so it was very difficult. But I was always the class clown. I don't know why - maybe as an escape. But then I was sent away to military prep school.
When I did 'The Great Escape,' I kept thinking, 'If they were making a movie of my life, that's what they'd call it - the great escape.'
For some men, life seems to be one long attempt to escape childhood and all the fears of childhood. That's what many of us are doing.