I recently found out about this other super movie star. He only works from about 11:00 to 4:00, so all his movies take like 120 days. But this was a lot of stuff to do in 35 days.
I think it is a mistake to identify a movie according to its language, as if movies were literature.
I didn't get into entertainment until I was like 31. I didn't star in a movie until I was 46.
'The Tree of Life' is a collection of conversations that lost souls and true believers have with themselves while keeping their heads to the sky. But the movie is church via the planetarium.
I probably made a few pictures I shouldn't have done, but I have four sons and I have to pay the rent. If you have a decision to make about whether or not you can buy groceries at the market or whether or not you're going to make a bad movie, you're going to make a bad movie.
It's like the old rule-if you introduce a gun into the first act of a play, it's going to be used in the third act. So if you do a movie about criminals, you have to accept there's going to be Some action.
'Election' is a movie I'd give a leg to cross the director's name out and put mine in.
Big, big movies are in 3D, but we haven't reached a point yet where that's just what a movie is.
For eight years I did effects for other movies until I got my movie made.
It's nice to be known for a pretty great movie.
Being here allows me to make the case that not all aging, narcissistic movie actors whose children could be mistaken for their grandchildren necessarily act with the same motivation.
It used to be for writers that that six seasons and a movie thing, that's the holy grail as writers - your series goes eight, 10 seasons, you're set for life.
How do you play someone in a movie? How do you do that? It's impossible - unless you know how. How do you cut somebody open and take out their appendix and sew them back up and watch them get well? That's impossible - unless you know how.
I'm kinda disapointed that Canada isn't like the South Park movie said it was.
It's taken me 15 years to step behind a camera and make something everyone agrees looks like a movie.
I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.
I recently finished a job, an HBO movie 'Getting On,' a very dark comedy. It comes from a British series of the same name. In this role I have no hair, no make up and no nails. I play a very small role; she is not over the top and sassy.
What I want to impart on any movie I work on is I want to make it entertaining. That's what I feel I do.
You cannot combine being a movie star with not being a movie star.
In fact, I had the idea because of Peter Falk. I saw my dad watching a Peter Falk movie and something clicked in my head. I gotta go make a movie for Peter Falk and me.
I can't do anything I want to. I mean, I can't have my own TV show. I can't have my own movie. But within my little world, nobody tells me what to put on the albums.
If it's a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on.
I've dreamt of being in a movie musical for a long time. For some reason I never even thought 'Les Mis' would be possible.
I've worked with Filipino technicians, and they are, I think, among the best. I'm looking forward to visiting the Philippines, maybe for a vacation or to shoot a movie.
I was born on October 21, 1956 in Burbank, California. My father, Eddie Fisher, was a famous singer. My mother, Debbie Reynolds, was a movie star. Her best-known role was in 'Singin' In The Rain.'
I started thinking about my relationship with my students; I'm this guy who comes in from book - and movie - land and descends on angel wings into their classroom.
If you have to have a job in this world, a high-priced movie star is a pretty good gig.
When people protest and are upset with a movie, it becomes a big hit. They hated Passion of The Christ, it worked out pretty well for the box office. So let's get that going.
I don't have any interest in being a movie star.
When I found out I had to take off my shirt in 'Teen' movie, I panicked and hit the gym. I was like, 'It's going to be on film, documented, for my children to see. I can't be 140 pounds. I need to put on a little bit of muscle.'
You don't get a chance to take a breath but when you do, you have some really good comedy moments that ease up on the tension that the movie is centered around which is Kim being kidnapped and her son and husband being kidnapped and the jeopardy that they're in.
When 'Goodfellas' is on TNT, and they've taken out all the curse words and put Tide commercials in the middle of it, I'll still watch 'Goodfellas' because it's that great of a movie.
Your mind always does worse things than people can show in a movie.
It seems astounding to me now that the video games are perhaps as important as the movie themselves. And people will spend 2 or 3 years obsessing about the video game in exactly the same way that they'd be obsessing about the movie if they were working on that.
I always talk to young writers about when you make art in your room, you make art. And when you send it to New York and L.A., you have to be a professional. Of course, when you sell your book rights as an option for a movie, you have to be a professional about that.
I don't have any illusion that The Creeper is as popular or will ever be as popular as any of the classic movie monsters, but I think in the heart of every young horror fan is his desire to create his own creature.
