The last time I went to a festival without a hat, two things happened. One: I got sunstroke. Secondly, I had to buy what can only be described as a Jamiroquai hat, which was sartorially incorrect - I'm saying that as a Jamiroquai fan. That was a disaster. I looked like a small clown.
I think Ross Noble is the only person that I've seen really storm a stand-up slot at a festival, and that was when he led 3,000 people on a conga out of the tent and across the entire site to a vegetarian food truck.
'Obvious Child,' the short, had a nice life online and a great festival run, but the short and the feature still stand apart from everything else I've done. I play a woman who you might meet in life. My other work is much more heightened.
I remember, after graduating high school, I got a part in a play with the Washington Shakespeare Festival - a little part. But I remember thinking this would be a great way of making a living... to be an actor. I never really thought I'd make a lot of money at it.
People come to Cannes just to advertise their films, not with a particular message. But the advantage is that if you go to the festival, you get so much press coverage in three days that it advertises the film for the rest of the year.
I experimented with my own one-man show a couple of years ago in Aspen when HBO used to have their comedy festival there. I called it 'A History of Me.'
When I do the Edinburgh Fringe Festival, I always go across to Loch Ness and stay there.
We no longer sing and dance. We don't know how to. Instead, we watch other people sing and dance on the television screen. Christmas, which was once a festival of active enjoyment, has turned into a binge of purely passive pleasures.
Because I've a track record of talking about books I never write, in Australia they think I'm about to write a book about Jane Austen. Something I said at some festival.
The whole being-in-a-room interview thing, at a junket or a film festival, is very inhuman. You meet the person, have five or 10 minutes to talk, and it's not like a conversation.
I've been going to Europe for some time on the festival circuit, and once you get in that element and see others reacting to it, it's easier to understand. You get trapped in the wave. The beats are driving and super-aggressive - like, so hard. I was curious.
I've seen Don Rickles up at the Montreal Comedy Festival. Don Rickles was doing jokes in a wheelchair, and he was headlining a show. Do you think they would let a woman do that?
I got my Actors' Equity card officially by playing Nana the dog in 'Peter Pan' at the Alabama Shakespeare Festival. That was the first show I did as a full-fledged, dues-paying member; I earned points in my MFA program, then went into the company after I graduated.
Our films are changing so people across the world can see them - when 'Highway' premiered at the Berlin Film Festival, a Polish lady said to me, 'It has a strong message for women.' So it's good to know our films are connecting universally.
I personally adore the festival of Dussehra, as its a celebration of our culture and mythological legacy. I celebrate, almost, all my festivals with Life OK, be it Holi or Diwali or Dussehra. It's like a festive home for me.
Formally, I did my studies in the sciences, but I was very conscious that I was being deprived of culture. While studying neuroscience, I was running a rock-music festival and was able to use that as a platform to explore what it takes to produce art for 20,000 inebriated 20-somethings.
I quite like that people tend not to know my name. I remember being at the Cannes film festival for 'All or Nothing.' I looked very different in the film - I had a little greasy bob and no makeup. I went to a dinner after the screening, and everyone completely ignored me. I got a real buzz out of that.
The Monte Carlo TV Festival is great because it's a celebration of television and great storytelling.
I don't ever want to play a festival again, period.
Comic-Con has become more of a pop cultural festival, and to not be included feels like you're missing the biggest celebration of the year.
My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.
I have an Italian comedy at the Venice Film Festival.
I had no inkling of how crazy the political life would turn out to be. You shuttle between your constituency and Ottawa, you try to make every barbecue, festival, parade and charity run, but sometimes you feel pulled in 14 directions at once.
Each year, every city in the world that can should have a multiday festival. More people meeting each other, digging new types of music, new foods, new ideas. You want to stop having so many wars? This could be a step in the right direction.
All my collaborations happen in different ways. Sometimes it's through a chance meeting at a festival or event, while others can happen just off the back of me liking their music and reaching out.
Every June, Gypsies come in caravans from all over Europe to honor Django Reinhardt at a festival in Samois-sur-Seine. When I was little, I started hanging out with them. They fascinated me - they really, literally, live in the moment. They take every day as if it's their last.
Throughout history, Hanukkah was a relatively minor festival, but it's become very popular in America due to its proximity to Christmas.
I owe a great deal to Harold Hobson, doyen drama critic of the 'U.K. Sunday Times,' who championed me as Shakespeare's Richard II at the 1969 Edinburgh Festival.
My background is in largely in theatre and acting. I grew up in a town with a well-respected Shakespeare Festival, and I fell in with some kids whose parents worked there. We staged all-kid versions of 'Hamlet', 'Cymbeline', a few others. All the while, I was making short films; monster movies, slapstick comedies, claymation.
My favourite festival experience is a show at midnight with the moon blazing and a crowd full of open hearts ready to dance.
I like festivals of all kinds: in 1969, I made a film about the first Pan-African festival in Algiers, which celebrated the countries that had been liberated 10 years earlier. There was a tremendous feeling of kinship.
I did 'Othello' at the Oregon Shakes - I was at the Oregon Shakespeare Festival for two and a half years. That's where my training is.
The first play I ever did was with Michael Langham, Brian Bedford, and Colm Feore, at Stratford Festival. That was my first professional job, and I got to work with Garland Wright and so many great artists.
I don't really expect much from my life. So when I heard my films are premiering in film festival circuits I was glad of course but I thought it was lucky accident.
I always go to the Cannes Film Festival and it's just such a glamorous time.
To go to the synagogue with one's father on the Passover eve - is there in the world a greater pleasure than that? What is it worth to be dressed in new clothes from head to foot, and to show off before one's friends? Then the prayers themselves - the first Festival evening prayer and blessing.