If every inhabitant of a liberal democracy believes in liberal democracy, then it doesn't matter what creed or colour they are.
When you see a fantastic colour or cut in a magazine, perched up on some famous so-and-so's head, it's tempting to ask your stylist for the same, but do not be fooled. The hair in those fancy photos can be very high maintenance.
I think it's important to keep your personal life to yourself as much as you can. It protects your sanity and you need to have boundaries. And it helps that enchantment of watching an actor. If you know someone's favourite colour or what they like to do on a Sunday, you won't fall for the character as much.
I lived in a country where I couldn't live where I wanted to live. I lived in a country where I couldn't go where I wanted to eat. I lived in a country where I couldn't get a job, except for those put aside for people of my colour or caste.
Music in the U.K. is not racialised in the same way as it is in the U.S. In the U.S.. it's more rigid and conservative. And white people in the U.K. have more close proximity with black people and people of colour in general.
Manouri is a Greek ewes' milk cheese that's light in colour and texture. It's fresh and milky, and goes well with other subtle flavours.
I would love to work in a Bollywood film as there is so much drama and colour in the films there.
There are signs, I think, that people aren't satisfied by consumerism: that people resent the fact that the most moral decision in their lives is choosing what colour their next car will be.
In advertising, you have a small window to say the most you can. That's what songwriting is. The difference is, you get to put the leaves on the trees and colour 'em in.
In America, I am brown; I'm 'of colour', so I would be offered Latin roles, and I've fought against that. I don't want to be put in a category, to be just offered the same sort of thing. For me, it's all about different roles, telling the stories of the great writers.
The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.
We had to forge an alliance of strength based not on colour but on commitment to the total abolition of apartheid and oppression; we would seek allies, of whatever colour, as long as they were totally agreed on our liberation aims.
I cut my hair myself and colour it. I know everybody in the hairdressing business despairs of me, but it's so much easier to do it yourself.
Poetry is not Irish or any other nationality; and when writers such as Messrs. Clarke, Farren and the late F. R. Higgins pursue Irishness as a poetic end, they are merely exploiting incidental local colour.
I've never really worked out this thought, and I don't know if I'm really conscious of it, but I can see there's an attraction about writing about a period that's over and isn't going to change colour while you look at it.
But the whole point of the Sixties was that you had to take people as they were. If you came in with us you left your class, and colour, and religion behind, that was what the Sixties was all about.
I went to see Ocean Colour Scene at Shepherds Bush and and felt part of something. They paved the way for me.
The habit of breaking up one's colour to make it brilliant dates from further back than Impressionism - Couture advocates it in a little book called 'Causeries d'Atelier' written about 1860 - it is part of the technique of Impressionism but used for quite a different reason.
When I think of flavours, I think colour, so lemon should be yellow and orange is orange.
Colour can raise the dead.
Clinique's Chubby Stick Moisturizing Lip Colour Balm in Chunky Cherry is perfect for people with my skin tone.
The idea is if you use those two shapes and try to colour the plane with them so the colours match, then the only way that you can do this is to produce a pattern which never repeats itself.
I think what we need, especially in publishing, is more commissioning editors and editors who are people of colour.
I get a good colour in summer but go really pale in winter, and it genuinely doesn't suit me, as people ask me if I'm ill. As well as making me look a bit better, I often have to be tanned in the middle of winter to do a show or programme, so I've road-tested every fake tan on the market.
I'm a dark blonde, yes. I dyed my hair blue, then black, when I was 14. I thought the colour was more flattering and matched my skin tone. I don't think I'd ever change back unless it was for a film.
I usually talk about clothes in terms of a story rather than a colour.
As a man of colour, I've spent my life asking people to see me for who I am. With Obama in the White House, it feels like people have finally caught up to where I've been most of my life.
When I look in the mirror, I see my late mother: I have her nose, her dark eyes - I call them chocolate eyes - I have her colouring, and my hair is greying the same way, although I use colour and she didn't.
Circumstances give in reality to every political principle, its distinguishing colour, and discriminating effect. The circumstances are what render every civil and political scheme beneficial or noxious to mankind.
People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
How do I have to continue to excessively prove myself and always be the underdog? I don't get the respect I deserve, and that leads me to believe that maybe it is a colour issue.
When you're told that as a filmmaker of colour, the stories you want to tell aren't commercial enough, then you start thinking, 'I'm going to tell them anyway.'
When I was a teenager, I experimented a lot with hair colour, and the result was just awful.
Truth is eternal, unchanging, though circumstances may and do operate to give a different colour to it, in our view, at different times. And truth will prevail, and those who do not yield to it must be destroyed by it.
What I always say is that money doesn't have colour. It doesn't matter whether you are from Africa or anywhere in the world. The colour of money is the same.
Studio heads seem to be getting the message that there is not only an audience out there, but there is a desire for people to see people of colour in central roles and in authoritative roles.