The problem of direct colour photography has been facing us since the turn of the last century.
Colour is not the issue in America; class is.
That's what the internet is: it's like bombarding your eyeballs with these myriad blinking colour lights. It's like trying to watch a movie on your phone in the middle of Times Square.
My designs are slightly subversive in their way; it can be in the cut or the colour, but they're always obtainable: they're not so difficult that a 40-year-old woman wanting to go to a cocktail party looking foxy and a little bit different in something well-made would be alienated by them.
If you love someone, you love someone. It doesn't matter; age, colour, c'mon!
I use a wide selection of colours. It is impossible to produce work like mine using only the primary colours as they only mix a certain range of colour.
I just wear very nice pyjamas. When I'm at home, I love to watch movies and relax because when I'm modeling, I'm always travelling. When I'm not working I don't put much make up, but I do love nail polish for that little bit of fun colour.
I had been working in colour for ten years or so and looked at digital and liked the possibilities it gave me.
I can't imagine seeing Batman in black and white. It was such a colourful TV series. I know. I'm ancient. It wasn't abnormal to be without a television in those days. People who had colour were special.
Shadow is a colour as light is, but less brilliant; light and shadow are only the relation of two tones.
It's a dumb question, because I don't look at things as a black director, just as a director, so ask me as a director first and we can segue into the colour thing later.
The moon puts on an elegant show, different every time in shape, colour and nuance.
I do not believe that the colour of one's skin determines whether you are disadvantaged.
I love pink - pink's my favourite. I hardly ever - weirdly - wear it, but I love the colour pink.
In Australia, there just weren't strong roles for actors of colour. I was often being asked to turn up for commercials with a ghetto blaster on my shoulder. I thought, 'Are we in the '60s?'
The pigeon here is a beautiful bird, of a delicate bronze colour, tinged with pink about the neck, and the wings marked with green and purple.
I've never got on with the British press because they've always given me such a hard time. Once they build a band up they just want to do people down. They shouldn't concentrate on the colour of someone's shirt they should listen to the music.
The industry is quite chauvinistic generally. Expectations of women, girls, what they should look like, how they should be, what they should say, what they should wear, how their hair should be, what colour their skin should be.
I came to the destruction of volume by the use of the plane. This I accomplished by means of lines cutting the planes. But still, the plane remained too intact. So I came to making only lines and brought the colour within the lines. Now the only problem was to destroy these lines also through mutual oppositions.
If you take myth and folklore, and these things that speak in symbols, they can be interpreted in so many ways that although the actual image is clear enough, the interpretation is infinitely blurred, a sort of enormous rainbow of every possible colour you could imagine.
The first thing Fontana did was get me to change my hair colour from light brown to red, and the songwriter Mitch Murray suggested I change my name from Pauline Matthews to Kiki Dee.
Part of my preparation is I go and ask the kit man what colour we're wearing - if it's red top, white shorts, white socks or black socks. Then I lie in bed the night before the game and visualise myself scoring goals or doing well.
When you get older, your skin tone changes; your hair probably changes colour, whether you dye it or not, and you just can't wear the colours you used to like anymore.
Colour is really important to me when buying clothes. I wear a lot of fitted jackets, and because I'm small, I avoid long skirts and coats. And I hate wearing hats.
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.
Even my basic, basic wardrobe is still pathetically colour coordinated. It just is. That is just me.
I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.
I think the bottom of the totem pole is African-American women, or women of colour. I think they get the least opportunities in Hollywood.
I never had the time or luxury to think about inventing my own colour theory. When colour came, I was interested in expressing things that happened around me in time.
The stadium here in Munich is the best of the lot for me. It is absolutely fantastic, especially the way it lights up a different colour according to who is playing. It's superb.
The true colour of life is the colour of the body, the colour of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest colour of the unpublished blood.
I can make 10 jackets of the same colour, same two pockets and same length, that will look like 10 completely different jackets when you put them on. It's about the way they are cut - it makes them look and feel completely different and move differently, and that's a never-ending study. People who wear my clothes will know exactly what I mean.
At first, I was able to use a Bunsen burner attached to my mother's gas stove, but the use of the kitchen as a laboratory came to an abrupt end when a minor explosion involving hydrogen sulphide spattered the newly painted decor and changed the colour from blue to dirty green!
Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere.
The wise become as the unwise in the enchanted chambers of Power, whose lamps make every face the same colour.
Although I am basically self taught, I consider Debussy my teacher - the most important elements are colour, light and shadow.