Photography has always been about capturing light.
The difficulty is capturing surprise on film.
As the years go by and I make more films, I am increasingly interested in capturing place as a vivid backdrop for my films.
We're used to shooting our own stuff on our cellphones. We're used to capturing everything.
I think one has to say it's not just simply a matter of capturing people and holding them accountable, but removing the sanctuaries, removing the support systems, ending states who sponsor terrorism. And that's why it has to be a broad and sustained campaign.
I worked closely with Steve Jobs for twenty-six years. To this day, for all that has been written about him, I don't believe that any of it comes close to capturing the man I knew.
I think technology has advanced so far now that there are some cameras on the market that give film a run for its money. It's all about flexibility in capturing images, and digital or film, it doesn't matter to me.
The challenge is sort of capturing the issues that Oregonians feel strongly about and moving forward on those.
Painting is as close as a person can get to actually capturing the heat of the moment.
Anyone with a smart phone is a potential eyewitness cameraman capturing and transmitting stories at speeds that turn Reuter photos and traditional reporting into, well... yesterday's news.
As people talk, text and browse, telecommunication networks are capturing urban flows in real time and crystallizing them as Google's traffic congestion maps.
When I look at 'Napoleon Dynamite's style I'm reminded of how I spoke when I was an eight-year-old boy. It was just like capturing the essence of, 'Duh!' It was just like the stuff that I would say when I was like eight, nine, ten years old.
