Even if you have a big tune, live crowds can get sick of it. It's not just about the song but also the staying power and if people have connected with it in a certain way. I know that the tracks I put more emotion and depth into are the ones that have the staying power in clubs.
I have always used emotion as a writing tool. That goes back to me being on the stage.
I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I'll go for the gross-out. I'm not proud.
A studio recording is perfection, but emotion and passion come only when you turn on the machine and go for the groove. If you do that with no mistakes, it sounds beautiful.
Never write anything that does not give you great pleasure. Emotion is easily transferred from the writer to the reader.
We must declare ourselves, become known; allow the world to discover this subterranean life of ours which connects kings and farm boys, artists and clerks. Let them see that the important thing is not the object of love, but the emotion itself.
Poetry is when an emotion has found its thought and the thought has found words.
I had to be intellectually satisfied as well as emotionally because at that time of life one doesn't just fall into it in adolescent emotion, and I was satisfied at every point that it was the one way and the hard way to do things.
When I perform on stage, I often pretend to be someone other than myself to bring a certain emotion or intent to a song.
People say the Internet's made of cats. The reason isn't because of cats; it's because people like to have an emotion where they say 'aww' all at the same time.
I'm singing what I want to sing based on the emotion of what that day feels like. That's what comes out of my mouth and guitar. That impacts people. They know anything can happen.
No matter what you're going through, as long as you have some specific emotion, whether it's positive or negative, it is all stuff that you can use on stage.
When someone's really good at encapsulating human emotion and putting it out in a form that can reach a variety of people, that's going to have a big effect when he's no longer there.
I've been training myself and listening to other artists and seeing where their emotion comes from, singing a heartbreak song when they're in a happy relationship.
I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.
My advice would be not to write until after 35. You need some experience, and for life to knock you about a bit. Growing up is so hard you probably won't have much emotion to spare anyway.
When I sing, it's the most solitary state: just me, and the microphone, and the holy spirit. It's not about notes or scales, it's all about emotion.
Well, I mean, you have an emotion, you want to express it. You don't just look in the camera and do it. You want to hide from the embarrassment of your brother saying you're not allowed to come into my town.
Poetry offers works of art that are beautiful, like paintings, which are my second favorite work of the art, but there are also works of art that embody emotion and that are kind of school for feeling. They teach how to feel, and they do this by the means of their beauty of language.
I was always drawn to darker sounds, things with an edge and a little bit of grit, things that have a lot of emotion and a lot of drive.
Drama is easier to do because you just have to have the emotion and not get caught acting, but comedy is much harder.
I believe the Champions League has all that magic because it gathers all the best European teams, and that gives you the feeling of trying to be the best. That's why the Champions League has this special kind of emotion.
I have invariably been in love when I haven't had the same reciprocated emotion at all. I don't choose to talk about my personal life because I believe that I don't want to, and I believe my personal life is personal.
I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the original idea.
Love is probably the strongest emotion that you can feel. It's very natural - and I wouldn't want to say easy - but natural and comfortable to write about, and there's so many different forms of it, millions of layers - you could write forever about it.
Anger is an emotion, not a compass.
With twenty six letters, you can create anything you like - any person, any world, any place, any emotion. And they are so potent, so powerful, and at the same time, they're marks on the page, and that's all. There's nothing else to them.
Instead of standing in the way, technology is increasingly an enabler of emotion. A message at the wrong time at dinner can turn a gourmet dish into something insipid because of the interruption.
With voice over work, you need to convey as much emotion as you can without making any physical movements, so it's hard. You've got to visualize everything.
Ultimately, what we do as musicians, I think of us as a type of emotional engineer. We essential take these sound waves, this sound, and we organize it into emotion, and that's how we connect with our audiences.
You have a lot of emotion at the end of the race. It is not easy to control that when you win.
Whether it's an inspiring song or whether it's an entertaining song - whatever it might be about it - I just want people to feel the emotion that I put into it because I think emotion... is everything.
I think there's still an appetite among a certain audience to see intelligent movies that have real emotion in them.
This is going to seem odd, but I love Eminem because he has so much conviction and emotion in the way he raps. Every word that he raps, you feel it.
Unease is not an emotion I get often in the theatre, and I like it.
I try never to focus on the radio, just find great songs, find emotion and just write the best songs you can. I think when you get fixated on trying to do something too accurate, it becomes more washed out and less what you intended it to be. So I think each time the challenge for me is to try and reinvent a little bit.