I wouldn't encourage new writers to start off publishing through electronic media... it still isn't wide enough for the readership they would need to get a good start.
We incorporate various electronic devices - the echo plugs and things like that. Actually, all we're trying to do is make that sound musical. As opposed to just making sounds, we do musical things with them.
I've been making some more electronic music, which I really enjoy doing.
I've been a fan of electronic music since the beginning.
When I was at the Group for Musical Research, with this idea of discovering electronic music, I quickly realized that that it was a very interesting and exciting approach to music, but I also saw that it was very intellectual and quite dogmatic.
I like shelves full of books in a library, but if all books become electronic, the task of big research libraries remains the same - keep what's published in the form in which it appeared.
When I got my Oprah money, the first thing I bought was a really nice electronic bidet toilet seat.
Dick Mills was in charge of sound effects and all the rest then, and he put the voice through a ring modulator or whatever gizmos he'd got at the time to make it sound a little more electronic.
Electronic Accounting Systems processed my little payrolls like one big payroll. I did the selling, and the people I hired did most of the operations.
Working in an office with an array of electronic devices is like trying to get something done at home with half a dozen small children around. The calls for attention are constant.
I'm fascinated with the electronic devices that we can mess around with.
I love some electronic music. I'm not a big fan of dubstep, but there is so much good electronic music out there.
I've always dreamed of having an album. The problem is that it's just very difficult to make an album nowadays because through technology, music shifts so fast, especially electronic music. Once you make five songs, the first one you did is already old and you wished you would have put it out right away. So that's kind of the difficult part.
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
Beyond that, states had to also have electronic voting machines that made it possible for people who are physically handicapped to vote in private... and the computerized voting machine made it very easy for, particularly, the blind.
There's many different genres, and when you see R&B and pop and house, as well as electronic, come together, that's the reality of what music is.
Electronic distribution is more of a fall-back strategy for putting out a book that isn't deemed profitable enough to print. You hardly make any money publishing an electronic book.
I suppose subconsciously I was thinking in terms of having the scale of it matching the scale of the images. Hence the sort of string quartet, jazz band and electronic stuff.
A lot of the work in United States is highly critical of technology. I'm using 15,000 watts of power and 18 different pieces of electronic equipment to say that.
Performance art can involve the audience with taste, smell and sounds not available with electronic media and not practical with conventional theater. This is due to the usually small audience.
We have never really had absolute privacy with our records or our electronic communications - government agencies have always been able to gain access with appropriate court orders.
Scoring the first 10 in history was a big deal, but the fact that even an electronic scoreboard could not figure out how to put out a score, it made the story more historic.
With the violin, for example, one understands culturally that the sound comes from the instrument that can be seen. With electronic music, it is not the same at all. That's why it seemed so important to me, from the beginning of my career, to invent a grammar, a visual vocabulary adapted to electronic music.
I grew up in the eighties; that's probably why I like some of the earlier electronic from Kraftwerk to all throughout new wave and things like that.
I saw myself as an electronic joy rider.
Maybe some people that only listen to electronic music will pick up my record and get turned on to some of the story songs, some of the more country-type stuff.
I think I was first to do live performances on a modern electronic sound synthesizer.
Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time.
Jobless workers, especially those out of work for months and years, don't have the skills to multitask in a fast-paced economy where medical workers need to know electronic record-keeping, machinists need computer skills, and marketing managers can no longer delegate software duties.
Electronic books are junk.
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.
A reality that is electronic... Once everybody's got a computer terminal in their home, to satisfy all their needs, all the domestic needs, there'll be a dismantling of the present broadcasting structure, which is far too limited and limiting.
I've always appreciated more guitar-driven and, in general, just rock music; that's what I listen to. I don't really listen to electronic music.
I read actual physical books and have thus far avoided the electronic lure.
I long ago lost track of the number of times the Obama administration has assured everyone that its vacuum-cleaner approach to electronic surveillance does not threaten the privacy or the rights of Americans.
I'm a big online everything. But for me, shopping online started with music, obviously, then it went onto books, meditation CDs, and I just recently bought these electronic cigarettes. My husband is trying to quit smoking, so I went online and I bought those BluCigs cigarettes in every flavor for him.
