No one wants to see a person on TV who's super-ultra-cool. That's Superman, that's a thing of the past. Heroes are now flawed, and have terrible tempers, you know? They're real people.
I've found I can plunge the characters into whatever absurd, awful situation, and readers will follow as long as the writer makes them seem like 'real people.'
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
I don't live in L.A. on purpose because I don't wanna be immersed in that. I have to have a real life, with real people, in order to inform what I'm doing; otherwise, it just becomes the snake eating its own tail. Vampirism.
A work of fiction is conceived very much the same way as a dream occurs in the mind of a sleeper. But a lot of it is imagination. It's not based on real people.
I found out that superstars Winkler and William Shatner are real people, and I was so thankful for that.
Because my friends and family are real people, and they wear all sizes, I couldn't imagine designing something that my loved ones could not wear.
I hope we see more stories where the heroes are real heroes, real people that don't need weapons or super powers to change people's lives.
When you're with real people, you don't have to be with virtual people.
I make sure I always surround myself with good, down to earth, fun, real people, who always keep me grounded.
Iran is not a make-believe country. It is a real country populated by some 75 million people - real people; including, I daresay, a majority who are philosophically and by education inclined toward the modern, secular world, and particularly American values.
Real people do real things. A collective of a whole bunch of people who do things in their own locale, in their own neighborhoods - the sum is bigger than the parts, and the parts will grow.
Exploration by real people inspires us.
They make three types of movies, and if you don't make one of those three, you have to find independent financing: It's either big-action superhero tent-pole thing, or it's an animated film, or it's an R-rated, raunchy sex comedy. They don't make movies about real people.
I'm not afraid to have a character say, 'I am a Christian,' or, 'I believe in God,' because I think they represent real people on this Earth.
With my physicality and my face, I don't think I could pull off a completely righteous guy. There's something devious about my eyes. I like characters with flaws and to see how they overcome those flaws. I want to play real people, and they're flawed, not perfect.
I like real people - salt-of-the-earth men.
I really just don't think that teenagers and adults are maybe as different as people think, and so the best roles, to me, are treated like real people and not like these 'crazy kids we don't know what to do with.'
Get the shading right, the lighting right, and there are things you can do to make the CGI look more real. People end up going crazy and give themselves a little too much freedom in how they use CGI, and if you overuse it, it draws attention to itself.
The best way to honor real people when you play them is to try to tell the story of their dynamics and the struggles that they're dealing with rather than lose sight of the connections and personal relationships, and do a really good job at an accent.
I like movies that are about real people in real time with real problems.
You can exaggerate with puppets. You're not trying to look like real people. The way the Muppets are designed is really appealing. Puppets are best if they're exaggerated creatures.
Real people move, they bear with them the element of time. It is this fourth dimension of people that I try to capture in a photograph.
I try to write about real women, real people - in other words flawed characters.
I worry that if you see a row of self-checkouts, you think, 'That all used to be jobs and real people.'
People have said, 'You don't need to do any more biopics. You don't need to play any more real people.' I don't agree with that.
I like performers who I know are for real. You can tell, man, there's an intensity about their stuff. You can tell right away they're real people, ya know?