In print, people can do anything to you. Everything you do is picked apart. People love it; they're waiting for you to make a mistake.
Books are humanity in print.
The fact is that when you do something from your heart, you leave a heart print.
The flood of print has turned reading into a process of gulping rather than savoring.
If all printers were determined not to print anything till they were sure it would offend nobody, there would be very little printed.
In my ideal world, my next novel would have a first printing of, say, 2,500 hardcovers for reviewers, libraries, collectors, and autograph hounds. The publisher could print more copies if they get low. And simultaneously, or six weeks later, the book would be available in paperback.
I think there's always satisfaction that comes from digging in and telling a story and being on the front line and writing about it. I think there's a venue available if you look. Even print journalism is in good shape in areas.
The big print giveth, and the fine print taketh away.
Friendship is a word, the very sight of which in print makes the heart warm.
I try to lie as much as I can when I'm interviewed. It's reverse psychology. I figure if you lie, they'll print the truth.
I joined another circle and the leader gave us a little leaflet in very small print, asking us to read it carefully and then come prepared to ask questions. It was a technical Marxist subject and I did not understand it nor did I know what questions to ask.
When you are new to the business, you think if you give a really bad performance, that's one they will print. You will be judged. You just have to be brave.
Reporters no longer ask for verification, thus they print charges no matter how outlandish they may seem, and once having done that, when the truth comes out, it's buried in the back page or never makes it on the air at all.
In the little hall leading to it was a rack holding various Socialist or radical newspapers, tracts, and pamphlets in very small print and on very bad paper. The subjects treated were technical Marxist theories.
We photographers deal in things which are continually vanishing, and when they have vanished there is no contrivance on earth can make them come back again. We cannot develop and print a memory.
I've got a long list of books I wish I'd never written-and I've kept them all out of print for the past 20 years.
I read on my iPad. But honestly, I prefer print.
We are nauseated by the sight of trivial personalities decomposing in the eternity of print.
If I told you all the people that have secretly told me I've influenced them, you'd never believe it, and you'll never see it in print, either.
There are some things the general public does not need to know and shouldn't. I believe democracy flourishes when the government can take legitimate steps to keep its secrets, and when the press can decide whether to print what it knows.
My men's-underwear print ads are very popular!
I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print.
Online advertising is increasingly only a fraction of what is being lost from print advertising, and it is under constant pressure.
The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways.
You have to understand the separation between what exists in the print media and what exists in reality. It's important to never lose track of reality.
I have both exploited and been exploited in the print field.
TV journalism is a much more collaborative, horizontal business than print reporting. It has to be, because of the logistics. Anchors are wholly dependent on producers to do all the hustling.
One, I have a wonderful publisher, Black Sparrow Press; as long as they exist, they will keep me in print. And they claim they sell very respectable numbers of my books, so I guess, and it's true, every place I go, my books are in libraries and on bookshelves.
Hinde Esther Kreitman is a forgotten literary foremother, her works largely lost, ignored and out of print.
Growing up, I didn't give my grandfather's photography a second thought. I wasn't involved in his work, except that I helped my dad print his negatives.
I write a book over a period of months or years, and when I'm done with it, usually another year goes by before I see it in print. It's hard to be patient and wait.
I have always liked the idea of going to print because a big part of what we are about is to disseminate knowledge throughout the world and not just to people who have broadband.
I suppose that writers should, in a way, feel flattered by the censorship laws. They show a primitive fear and dread at the fearful magic of print.
And left the flushed print in a poppy there.
All our reporters and editors now work seamlessly in print and online. This integration has transformed the way we work. I believe this is vital to the success and growth of newspapers.
If you print money like in Zimbabwe... the purchasing power of money goes down, and the standards of living go down, and eventually, you have a civil war.
