To me, the whole thing with the roots of rap music was when the DJ had to supply all the music for the group with two turntables. And the whole criteria of what that DJ would use had nothing to do with what type of band made a record.
Now, the DJ becomes a star in itself because of the way he programs the songs with lows and then highs and then slowing it down. The big DJs, like Tiesto and Deadmau5 and all those guys, they are very, very creative.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
Most people went to dance shows, but it was basically a table and a DJ playing and not really a spectacular thing. I brought the whole production with the effects - the best sound, the best lighting to blow the fans away.
One thing any DJ needs in his crate, especially at a barbecue, is a selection of 15-minute-plus jams.
I am one of the founders of Hip-Hop along with my brothers Kool DJ Herc and Grandmaster Flash.
DJ Qualls and I have been best friends for I don't even know how long - since I was a kid, 14, 15, many, many years.
I've always wanted to be a DJ so I could play the music I love for other people. That feeling hasn't changed, but my sets are always evolving. In terms of tailoring to a specific crowd, certainly I do play differently depending on the situation. It's a different feel, for example, in a small club versus a festival.
I knew that as a DJ from 1970 on up that I would eventually come with this sound. I brought out all these other break beats that you hear so much on a lot of these records.
As an individual I was known as the DJ or the mixer.
When we were growing up, I got kicked out of Timbaland's house every day. He was the DJ for my brother's rap group in junior high school. So I was 7, and while Tim's DJ'ing and my brother's rapping, I'd be upstairs dancing.
Even before Snapchat, you go back into my career from Day One or interview people that knew me for 25 years, they're going to tell you I've been DJ Khaled my whole life.
I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
Before this DJ thing, I was hopelessly taking things apart to try to figure out how they worked. I'd go mess around with burned-out cars, with my mom's stereo - I was public enemy #1 in my house for that. So my mom noticed that I was interested in this and decided to send me to school so I'd know what I was doing.
I really love Las Vegas. It's, like, my favorite place to be. I love to DJ out there. It is the place to be as a DJ.
I'm a DJ, but I'm also a ridiculously high-grossing musician due to doing productions.
I've been a DJ, janitor, ditch digger, waitress, computer instructor, programmer, mechanic, web developer, clerk, manager, marketing director, tour guide and dorm manager, among other things.
I just wanna be a DJ!
We used to play a lot of Fela Kuti in the early days of hip-hop. In my DJ sets I'll jump off into rock, salsa, African. I like to play some crazy stuff and see the vibrations of the people.
I was doing a late-night round as a milkman in 1978 when I heard a radio DJ announce that he was leaving. I marched straight to the radio station and told them I could do better. For some reason, they gave me a go.
I saw this DJ playing music and saying things to the kids. They would answer him back, and I say, 'That's a great idea.'
Even as a little girl, my mom never wanted me to watch BET, but when I was at my grandparents' house, and my older cousins were there and I could watch it, I was infatuated with the idea that I could one day be a DJ or the host of a show.
I never wanted to just press play on some DJ set and let the lights do all the work. I value old-fashioned performance a little more than that.
I was a rapper and a DJ, and if you wanted to be involved in hip-hop, you had to be involved in the sonic, the kinetic and the visual aspects. The visual was graffiti.
I've been a DJ since I was about 13, and I started out as a hip-hop DJ. So I was always playing records that would just get people going. I was just doing parties and high school dances and whatever, and then, progressively, I started making my own music, writing little songs here and there, but it was never anything crazy.
I DJ and I'm a harsh critic of DJs.
I don't really make a distinction because when I'm acting, I feel like an actor, and when I DJ, I feel like a DJ, and when I play the guitar, I feel like a guitar player. I don't know which I prefer. I think I just like to perform, in some way or another.
I've done fairly well as a performer and a DJ in the U.K., so 'Game of Thrones' really just opened up a whole new market for me.
I have a rescue dog named Walter, and Walter and I are such fans of the 'Jersey Shore' that we changed his name to DJ Wally D.
When I introduce you to somebody, his name is Big Pun. When I introduce you to somebody, his name is DJ Khaled. When I introduce you to an artist, her name is Remy Ma. If I introduce you to somebody, it's Cool and Dre or Scott Storch - people who change the face of the game.
I started performing in 1950 at the age of 16 when I joined the Burton Lester's Midgets as a performer. Shortly after, I became a DJ with Mecca Organization before joining Billy Smart's Circus as a clown and shadow Ringmaster.
I'm not a DJ, I don't know how to scratch and I don't know how to mix, but I do know how to party. One of my jobs is actually to travel the world and party.
For a DJ at my level, you can really go through life and travel the world without seeing a single thing. It's harder to go out and see the sights than it is to play a show.
Girls are sitting around talking about boys, right? Or complaining about boys, when they have their heart broken or whatever, and they need music for that, right? And they need music for that. So it's hard to find the right music. Not everyone has the right list or knows a DJ.
I have been DJing in clubs for years. I always dreamed to be a famous DJ in Holland. And now it's worldwide. You can't imagine. I mean, I still can't believe it myself that everything has gone so well.
My views on equality are pretty obvious. I mean, I did play a highly complex lesbian techno DJ on TV, but I know it's not always easy to come out and tell the world where you stand.