I am not in a position to be accurate on news analysis. But what I firmly believe is that Iranian President Rouhani and the government have committed themselves to a process. I don't think this process is about changing the principles of the Islamic republic, but it is about accepting a certain path of opening in the political and economic fields.
I think that we, as a civilization, need to sit down and figure out how to solve political problems over a table, not over a battlefield.
I have a reputation for speaking my mind. I like to think my candor and bluntness will give you the answers.
Have I ever made a mistake? I am sure. Do I think I can stand on my record? I do.
My mother's Puerto Rican and my father's Russian-Jewish, so we consider ourselves to be Jewricans or Puertojews. I think Puertojew sounds like a kosher bathroom, so I prefer Jewrican.
You've got to be picky in this business - if you're not, then I don't think you have the option of longevity. You've got to be choosy and try and do something that's outside of the box and dangerous. I love doing stuff that excites me, gives me that adrenalin rush.
I think David Cameron is really not very passionate about the environment. He said all the right things. I don't think he's come through with anything that's tangible.
I think that our task as filmmakers is to create the most insightful reality given the most pressing questions.
And the American public was able to make up their own mind whether this verdict was a just verdict or not. So I think there's a lot of value in the public being able to see how the system works or doesn't work, so I think there's a definite value there.
I just try not to think too much about how I'm perceived. I think as long as I'm still selling tickets and can pay my mortgage, then people are probably thinking good enough things or whatever about me to keep the train moving.
Everyone else thinks I'm a nonfiction writer. I think it's because my nonfiction is easier to find. But I write both in equal measure. I love writing fiction because I can totally lose myself, and I get to make up the rules of the world that I'm writing.
I accept the fact that angels are great heavenly beings, and I think some people give me the feeling that I'm with an angel.
When I started off in journalism, you knew there was an audience out there and that you wanted people to read what you produced. But it also felt like you had a limited ability to shape the audience, or to acquire an audience, for what you were doing. So you didn't really think too much about that.
Just think in terms of green energy and how much time, money, brain power and policy action has started to pour into green energy, and I think that's wonderful. We're going to need that same kind of effort towards global gridlock if we're going to keep the individual mobility that we all take for granted today.
I think people can just make things now. It's kind of what happened with the music industry. Before, a band couldn't afford to go into a nice studio, or if they were going to go into a nice studio, they had to record twenty-five songs in two days. That's not a healthy workflow for anyone.
I think for love to work you have to be with someone who you want to talk to before going to bed at night.
I think it is - the biggest plus the performer can have is to be a little unique.
You cannot ask somebody to be creative in 15 minutes and really think about a problem. You might have a quick idea, but to be in deep thought about a problem and really consider a problem carefully, you need long stretches of uninterrupted time.
I think the father-son love story is a universal one which transcends color.
John Woo is a very nice and kind person; he gives almost no direction at all, trusting me to come up with the character. But when I think of him, I think of explosions!
It's not easy, especially in our politically polarized world, to recognize both the structural and the cultural barriers that so many poor kids face. But I think that if you don't recognize both, you risk being heartless or condescending, and often both.
I carry music in my head, so I don't need more. It drives me nuts that, in hotels or on boats, people seem to think you need music 24 hours a day.
I think I'm just like a lot of people who had nothing. We had to amuse ourselves, so we had to become amusing.
I think it is a luxury and privilege to be sane and well and pessimistic. Because with depression, you have no other option. You don't want that pessimism, because it is crushing you and keeping you down at the bottom of the well.
Writing is, by its nature, interior work. So being forced to be around people is a great gift for a novelist. You get to be reminded, daily, of how people think, how they speak, how they live; the things they worry about, the things they hope for, the things they fear.
Probably my favorite piece of music, as an album taken as a whole, is Bruce Springsteen's 'Greetings from Asbury Park.' I just think it's incredibly pure. It's a sound that sort of broke new ground, and I think it paved the way for a hundred people that sound very similar.
I don't think that there's been one example in history where somebody has openly talked about their personal life and it's done them any good.
I think video games are a huge part of our society now. Having kids play baseball video games helps them understand and love the game. It could actually push them to get out there and play the game for real. That's great for the sport.
I was so grateful to have made 'Into the Wild' before I made 'Speed Racer' because on 'Speed Racer' I was indoors every single day, every single scene, on a green screen. Some of the time, just to pass the time, I would think back to climbing mountains in Alaska. That really helped me.
I think, honestly, that the word 'indie' is a false gimmick. 'Independent' used to mean a movie that was financed outside corporate Hollywood, but a lot of what gets called independent these days is totally produced within that system. And there's nothing wrong with that.
People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
I think I have femininity, I have masculinity, but I get to use all of Jeffrey, and that's very powerful. And this is what I always thought when I went down in my little basement in San Francisco, where I grew up, and daydreamed about being an actor: It felt like this. This is what it felt like.
I kept extensions in until I finished high school. Although, once I got to college, that's when it all started to shift. I think it was just growing up and moving to New York, where I saw so many different people, vibes, and looks, and everyone really owned it. That led me to feel more free, take more risks, and go back into my natural hair.
Maybe I didn't have the childhood people think you should have, but I still went through the ages; I was still a child.
I remember the beginnings of the Kurzweil reading machine. I was one of the first to meet Ray Kurzweil and purchase the reading machine in Boston. To think that the machine was at least two and a half large suitcases at the time, and now you have a camera and it takes a picture and you have sound.
I think there are nice things about every era. I wish we could just take the nice things.
