Zitat des Tages über Danny:
Working with Danny Thomas was truly an adventure every week. Danny didn't always say the words as they appeared in the script. I learned more by osmosis than by sitting down together. He was a force to be reckoned with: an explorer of television.
Danny DeVito later told me that he knew he wanted me for 'Matilda' the second I walked in the door. I'm not sure if this is true, or if he was just being nice, but I was thrilled when I got it.
Alan Cumming was such a fun guy to watch. I remember he has a song in the first 'Spy Kids' movie, and when Danny Elfman came to set, they were working on the song.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
If you want someone who is sort of still, has a bit of an edge, is older, you get Morgan Freeman. If you want someone who can carry a gun and still play a father, you get Danny Glover. My category is 'that guy who happens to be black.'
I always loved comedy growing up - Bob Hope, Red Skelton and Danny Kaye.
Danny and I worked really hard in the beginning of the relationship to find different levels of this couple.
It's funny, because I was trained as a dramatic actor at New York's Colonnades Theater Lab in the '70s, along with Jeff Goldblum, Danny DeVito and Rhea Perlman. People I worked with there saw a comedian in me. I'm still most at home in comedy.
Danny Ferry did a very good job when he was here and put the franchise up to a certain level, as did Mike Brown, and his contract had ended after five years, and, ultimately, both sides decided they wanted to do other things. No hard feelings at all there.
Wherever Mantle went in the great metropolis - Danny's Hideaway, the Latin Quarter, the '21' Club, the Stork Club, El Morocco, Toots Shor's - his preferred drink was waiting when he walked through the door. Reporters waited at his locker for monosyllabic bons mots. Boys clustered by the players' gate, hoping to touch him.
One of my favorite movies is 'Broadway Danny Rose.'
I love zombie films like Danny Boyle's '28 Days Later' - I thought it was so brilliantly done and so grounded in reality. I was definitely thrust into the zombie world watching that film.
I wrote Murder at the Windmill. And it was accepted and we made it and it was the first film I made with Danny Angel, well the only film I actually made... I made a lot of it at the Windmill itself.
I am happy to have now as Danny finally a more difficult role, in which I can shoot and fight.
Mel Gibson was lovely. He was on the edge of both scenes that I had with Danny Glover.
Danny and I wrote 10 songs in seven days, which I thought might be close to the record until you probably look at some of the Beatles statistics.
There's a wide variety of diversity, with people that have disabilities from R.J. Mitte in 'Breaking Bad' to Danny Woodburn being a little man.
I hate Danny Kaye movies.
I think in my case, I had no choice but to have a good sense of humor. I grew up with my dad, Danny Thomas, and George Burns and Bob Hope and Milton Berle and Sid Caesar and all those guys were at our house all the time and telling jokes and making each other laugh.
I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.
I've played such good golf, and it was hard coming up and it wasn't easy in any matches or any shots. It means a lot. I think hopefully it will mean a lot to New Zealand because I'm the next winner of the U.S. Amateur after Danny Lee.
The question is - did Richard Attenborough have a right to make 'Gandhi?' And did Danny Boyle have a right to make 'Slumdog Millionaire?' Quite honestly, if they didn't have the right to make these films, I had no right to make 'Elizabeth.'
When I was a child, I was referred to as the Danny Kaye of the family, because I was always impersonating and mimicking people. I was a song and dance man.
For the first six months of my stand-up career, I was talking like Danny Dyer. I was doing a lot of 'alright guvnors?' It wasn't true to who I was.
My father, naturally, spoiled me when I was allowed to see him - flying to New York from Washington, alone, in those terrifying planes. He'd take me to Danny Kaye movies and rent a dog for me to walk in the park on Sunday - a different dog every Sunday - and then to have butterscotch sundaes with almonds at Schrafft's.
Danny Elfman, the composer, tells me the only time he thinks I'm happy is when I'm on the scoring stage, and I see the pressure's on him and it's a little off me.
If I had the gift of Jerry Seinfeld, of Bill Cosby, of Lewis Black, these instinctively brilliant comic minds, then you go that route! But you gotta know your limitations. I'm more of an actor, more of a process guy. I did Tom Snyder, just as Danny Aykroyd did on 'SNL.' I did it in the club.
In 1994, nobody could have predicted 'Shawshank' would one day be an iconic movie - and believe me, that would never have happened if Danny Glover had been Red instead of Morgan Freeman.
There are projects I've done, such as 'Queen,' where I played Halle Berry and Danny Glover's son, where I'm so extremely proud of the work that I did that I will sit down and watch that any time.
