I love dressing for different occasions and having dress codes. For me, it's such a fun thing to have a reason to think about dressing within restraints or codes or rules, so it's something I have fun with.
I'm interested in everything. I don't see why Borges can't work along with Neil Gaiman, or Stephen King can't be mixed with Balzac. It's just storytelling; it's different ways of using codes and images and words and sounds.
Our film society back home is so different from here. Making a movie is universal. Directing a movie is universal; it's a universal language. It's just figuring things out and understanding the codes and how the system of Hollywood compares to that of Norway. We don't even have agents. There's no studio system, no managers.
I'm somebody who likes codes and ciphers and chases and artwork and architecture, and all the things you find in a Robert Langdon thriller.
By the time I got into Juilliard, I was working at a Target distribution warehouse. It didn't make anything, it just shipped things, and my job was just to stand there and look at the security codes on the back of trucks and see if they would lock, and check them in.
For me, hipsterism is for one to appropriate the codes of a social class or another milieu that wasn't theirs originally, in order to define their personality through something different and unique. Which is why a lot of hipsters live downtown, and they're dressed as farmers. Then you have the Oscar Wilde hipster: the dandy.
The origin of each of us stems from codes of genetic inheritance.