I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together.
So many groups fail because they spend all their time in the clubs. Work pours in and they can't handle it because of late-night drinking.
I still love touring rock clubs around the world, and that's something that's really a part of me. I love making albums, and I'm a wedding singer on the side; that's my parallel career. So I love all those aspects of making music.
The economics of baseball are the big problem. The big clubs make a lot of money and the little clubs don't.
See, I don't like places where people can't dance - don't like clubs or theatres where a bunch of bourgeois people sit around tip, tip, tipping their fingers.
People bring camera phones into comedy shows and clubs and concerts, and sound bites never come out right.
I saw that my image was changing or fading. One of the reasons for taking a break from clubs was to be missed-not forgotten.
We then took a shortened version of what we'd been doing in the pubs, with the best gags and things like that, out to cabaret clubs and things in the north of England for six weeks. And we became a big success.
I spent seven years in clubs in England, Australia, etc. Not all comedians cross over to sell out in a theatre.
I've been singing since I was 8 years old and working in clubs since I was 14. I've been working full time since I was 16.
I get recognised, but I'm not the sort of person who frequents popular clubs. I try to keep out of that.
Actually, there was another band where we were three girls, around '84 when I met John Zorn, called Sunset Chorus. It was just bass and drums and guitar- we didn't make any records but we played a lot of different clubs in New York.
The difference between the more traditional sports clubs and Congress is that Congress doesn't really compete against another team.
I didn't want to be 40 or 50 years old and still playing clubs, I didn't feel like I was making any progress, and I actually gave the band notice at one point. I began to have doubts about my abilities.
So I went into jazz and performed in jazz clubs all over the country.
At clubs like Liverpool, great players come and go.
Me and Jerry left because we felt we weren't getting anywhere playing our old songs in tiny clubs. The group was getting stale and staying behind the times.
I think there should be bad blood between all clubs.
My first year of university, I ran around and signed up for these clubs, and I noticed they were all drama clubs: really lame, artsy things.
In some of the L.A. clubs, people can act too cool to get into your music. That can get to be a bit much.
We don't woo our wives with clubs. We don't leave old folks on ice floes. And maybe the time has come to quit diving into rip tides to save people we don't know. We've outgrown a lot of survival-of-the-fittest strategies, and risking our lives for strangers might be one of them.
I however don't go to clubs to show off and to be seen, and certainly not to make statements. I just want to be able to quietly watch a band.
When I hit my 20s, I struggled to make it. I got married at 19, and my daughter, Je'Niece, was born a year later. I worked blue collar jobs during the day and comedy clubs at night, and I was earning about $25 a year doing stand-up.
I belong to quite a lot of learned societies. We collect firearms and discuss them at dinners and clubs and things.
I wasn't a trained Mickey Mouse club performer. I played in jazz clubs and restaurants.
The best gift I was ever given was the arts. My mum gave me those on a silver platter. Growing up, her and my grandmother would take me to ballets, classical concerts, even smoky jazz clubs I wasn't supposed to be in!
And I used to go the punk clubs such as a gay club in Poland Street that everyone would go to because it was the only place you could go to looking like that without getting beaten senseless.
NHL clubs have not wanted to go to the Olympics, and we have been saying that for months if not years.
The road, lyric-wise, is a trap, and a bore. Maybe it's interesting to me, but I don't think it's a connecting thing with other humans. What is there to write about? Truck stops, hotels, clubs?
You need to be growing and getting better, and in L.A., it's so hard to get bookings. You literally have to pay clubs to book you. It's pay to play, and then you only get 30 minutes. That's no way to get good.
I've never broken a piano. However, I've been banned from particular clubs for breaking piano strings.
I love the shows that are in dingy little dark clubs, smoky, no production whatsoever.
Maybe 10 times a year I'll do a corporate date, but no casinos or no nightclubs or no comedy clubs.
When I was 13 I had a fake Id that said that I was 19. I was getting in all the clubs.
At first, there was a separation of clubs and sketch comedy. Now there's all kinds of comedy, making us one big happy family.
I don't go to clubs.
