Zitat des Tages über Chor / Chorus:
The journalistic 'I' is an overreliable narrator, a functionary to whom crucial tasks of narration and argument and tone have been entrusted, an ad hoc creation, like the chorus of Greek tragedy. He is an emblematic figure, an embodiment of the idea of the dispassionate observer of life.
I'm always like this with a new movie role. I always get super-defensive and make noises like a rooster, Maybe that's because I spent so much time as a chorus girl.
I usually sing a lot on my mixtapes. I sing a lot on songs that just really aren't singles. Even my first single, 'My Last,' which I feel like is more pop than anything - I was originally singing the chorus on there. I'm used to that. I've always had fresh melodies.
I hate the way chorus boxes sound.
'Gorilla Man' is a composite of a few individuals, but the song itself was actually inspired by James Taylor. I spied his 'Gorilla' album laying on my floor and in some altered state, instantly started singing the chorus. It was fun to write. There's an old notebook with at least three more verses in it somewhere.
I think the best songs are being written by the very under-stated, under-appreciated indie artists. The thing that separates them from mainstream success is they either consciously or unknowingly refuse to deliver on a big chorus.
When I moved to New York to act I was no good at working restaurants - hosting, waiting, bussing, dishwashing - I wasn't good at any aspect. But I did have a guitar. So I would sing 'Me and Julio Down by the Schoolyard,' but you would only hear the chorus because the train comes by every 30 seconds.
Then when I was in grammar school I played the clarinet, and then, after clarinet I played the flute in college orchestra - besides singing in the college chorus and things like that.
My idea is to play with the people who you know want to get it right. Then it's fun and easy to record, and you can get down to details, like taking out cymbals so the verse doesn't dwarf the chorus, something like that.
I've written probably over 200 songs that have a verse and a chorus and that's it.
I had done chorus before in school, but I was only trying for an easy A. I was a bass going 'dum dum da doo wop.'
I have always been a sucker for the big, upbeat chorus.
I just wanted to be normal. I wanted to have a normal life. I wanted to have children. And when I was picked out of a chorus line and cast in a TV series, I got anxious, so I took the bull by the horns and went to see a psychologist. And it was the greatest move I ever made.
There were only 75 people in my graduating class at the school I attended in Hannah, S.C. It was a small school and that translated into not a lot of opportunities when it came to music. We had academic and sports programs but we never had a consistent music program. We would have a band one year, and a chorus one year, but nothing ever lasted.
A chorus is not easy.
And, I may add, from what totally unexpected sources come many of those who from the comparatively modest beginning in the chorus rise to the heights of really great achievement in the theatrical profession.
I think the inception of my interest in arts was when I was around 9 or 10 and I started dancing. I was really convinced that I was going to go to New York and be onstage in 'A Chorus Line.'
I would wake up really early and go into the hotel bathroom, put a towel over the toilet, and put my laptop there. I'd put my headphones on and just write. And so now when I do writing sessions, and I am stuck on a part, or I can't figure out a chorus, I'm just like, 'Give me a second,' and I'll go to that bathroom.
I recorded harp first or singing first. I recorded it all together. Part of the reason is that I don't know how to play the songs without also singing. I forget how they progress. I don't think that any of them are verse, chorus, verse, and so on. They are not simple.
Sometimes I'll have sections that I'm not quite sure how they fit in the puzzle of a tune, they'll get moved around; what I think was originally a verse ends up becoming the chorus, or what's an intro gets dropped as a hook, things get shifted around a lot.
I always felt different because I didn't pick one specific clique or group to be a part of, and I didn't choose one thing to be. I cheered, sang in chorus, was in student government, played in rock bands, went to dirt races in western PA... My interests have always been diverse.
Benjamin Franklin maintained that every star is a sun, and every sun nourishes a 'chorus of worlds' just like ours.
I started acting as a child in Community Theatre but I didn't do any serious stuff. It was all musicals like 'Annie' and 'Wizard of Oz.' I was always in the chorus.
I'll never forget when we played Shepherd's Bush in London. We played 'I Run To You', and we put the mic out for the last chorus, and you could hear them singing the chorus with the beautiful accent that they have.
I think if you go to 'Strength of the World,' a song like that, the chorus isn't that great, but you go into the bridge and other things and the catchier parts and the better melodies we were really focused on.
Novelists get to say plenty in their massive tomes; rock singers only get four-minute songs with two verses and a chorus' worth of lyrics, and so there's a real pleasure in accessing the intelligence behind the music, even if it doesn't qualify as 'great literature.'
I realized I was gay in the shower one day with Barbra Streisand. It happened while I was lathering, rinsing, and repeating with Pert Plus. As I was belting out the chorus to my favorite song from 'Funny Girl,' 'Oh my man, I love him so, he'll never know...' it hit me.
Actually, there was another band where we were three girls, around '84 when I met John Zorn, called Sunset Chorus. It was just bass and drums and guitar- we didn't make any records but we played a lot of different clubs in New York.
I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
In '75, the year both A Chorus Line and Chicago hit Broadway, my head spun around and I became the ultimate theater queen for life.
I was a founding member of the 'Dungeons and Dragons' club at my high school. I was in chorus, I was in swing choir. I was an outcast but I was an outcast among a group of outcasts.
I can't shoot myself in the foot before I get in the chorus line.
In my own life, I had gone from Maryland State Honors Chorus and writing and singing my own songs to a musical silence. It seemed the busier my work life would get, the less I had to feed the other parts of my own soul, including the arts.
It's an experience I'd like to add to the chorus, that these blue-collar, macho men, like my older brother, had the capacity to say: 'I don't care, I love you anyway.' There are young kids thinking: 'I'll never come out because it's too hard in our communities.' But I'm saying maybe your story can be similar to mine.
In the summer of 2009, in the wake of a crisis in her life, my mother moved from San Diego to San Francisco to live with my 16-year-old daughter and me. My mother was 77. I was 51. Despite a chorus of skepticism from friends - who knew about my upbringing - I was determined to do what I could to help my mother.
The human voice sounds thicker with a chorus and reverb than a dry signal.